Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Mbuti (Bambuti) mythology is the mythology of the African Mbuti (also known as Bambuti) Pygmies of Congo. The Bambuti people, also known as the Pygmies, are a group of indigenous people who live in the Ituri rainforest in the Democratic Republic of Congo. They have a rich and diverse mythology that reflects their culture and beliefs. Here are a few examples of famous myths from Bambuti mythology:

• The creation myth: The Bambuti believe that the world was created by a god named Nkuba, who formed the earth, sky, and all living things. They also believe that Nkuba created the first man and woman, and gave them the task of populating the world.
• The myth of the first fire: The Bambuti believe that fire was brought to earth by a trickster figure named Mokèlé-mbèmbé, who stole it from the gods and gave it to humans.
• The myth of the first hunting: The Bambuti believe that hunting was taught to humans by a god named Woot, who also taught them how to make arrows, spears, and traps.
• The myth of the first death: The Bambuti believe that death was brought to the world by a god named Nkondi, who punished humans for their disobedience.
• The myth of the first rain: The Bambuti believe that the first rain was brought to the world by a god named Nkondi, who punished humans for their disobedience.
• The myth of the afterlife: The Bambuti believe that the souls of the dead go to the land of the ancestors, which is a place similar to the earth but more beautiful and peaceful. They also believe that the souls of the wicked go to a place of punishment.

Please note that this is just a small sample of the Bambuti mythology stories, and there are many more myths and legends that are important to the Bambuti people.

Celtic mythology is the mythology of Celtic polytheism, the religion of the Iron Age Celts.Like other Iron Age Europeans, the early Celts maintained a polytheistic mythology and religious structure.

Celts were one of the most feared and admired peoples of ancient Europe. Ireland was a rich and fertile land with ancient and sophisticated culture. The monks of Ireland became famous scribes who wrote down native Irish stories of gods and goddesses battling for the control of island in epic wars, heroes engaged in endless combat to win undying glory, to voyage across the sea to magical islands. Divine women with the gift of their sexuality could control the power of kings.

Famous Myths of Celtic Mythology

• The myth of Cuchulainn

  Cuchulainn is a legendary warrior of Irish mythology, known for his superhuman strength and courage.

• The myth of The Children of Lir

  A tragic tale of a king who turned his children into swans for 900 years, as punishment for his stepmother's cruelty towards them.

• The myth of The Tuatha Dé Danann

  The Tuatha Dé Danann are a race of powerful and magical beings in Irish mythology, who were said to have inhabited Ireland before the arrival of the Celts.

• The myth of The Loch Ness Monster

  The Loch Ness Monster is a mythical creature that is said to reside in Loch Ness in Scotland, it's a creature of legend, described as giant serpent or dragon-like beast.

• The myth of King Arthur

  King Arthur is a legendary figure in British mythology, who is said to have led the defense of Britain against the Saxon invaders in the late 5th and early 6th centuries.

The Lugbara people are an ethnic group living in the Democratic Republic of the Congo, Uganda, and South Sudan. They have a rich mythology that has been passed down through generations, and their stories are a source of pride and identity for the Lugbara people.

The Lugbara people believe in a single creator, called Woot, who is responsible for the creation of the world and all its inhabitants. They also believe in a pantheon of lesser gods, each with their own sphere of influence. For example, Nyambe is the god of rain, and there is also a god of war, a god of the hunt, and a god of love.

The Lugbara people also believe in a number of supernatural beings, such as spirits and ghosts. These beings can be benevolent or malevolent, and they often take the form of animals or other creatures. It is believed that these beings can influence the lives of humans, either for good or for ill.

The Lugbara people have a number of stories and legends about their gods and supernatural creatures. One of the most famous is the story of Nyambe and the Great Snake. According to the story, Nyambe was out hunting one day when he encountered a giant snake. Nyambe managed to defeat the snake, and as a reward, the gods gave him the power to control the weather and the seasons.

The stories and legends of the Lugbara people are an important part of their culture, and they are still told and retold to this day. They provide a fascinating insight into the beliefs and values of the Lugbara people, and offer a unique window into their history and mythology.

Mesopotamian Religion

Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 3500 BC and 400 AD, after which they largely gave way to Syriac Christianity.

Some of the most famous myths of Mesopotamian mythology include the creation myth Enuma Elish, the epic of Gilgamesh, and the story of Inanna's descent to the underworld. Enuma Elish describes the creation of the world and the gods by the god Marduk, while the epic of Gilgamesh tells the story of a king's quest for immortality. The story of Inanna's descent to the underworld tells of the goddess's journey to the land of the dead and her eventual return to the world of the living. Other notable myths include the story of the god Enki and the goddess Ninhursag, the myth of Ishtar's descent to the underworld, and the story of the god Dumuzid and his sister Geshtinanna.

The Epic of Gilgamesh

The Epic of Gilgamesh is one of the most famous and important works of ancient Mesopotamian literature. It is an epic poem that tells the story of Gilgamesh, the king of Uruk, and his quest for immortality. The poem is thought to have been written around 2100 BCE, in the Sumerian language, but it was later translated into Akkadian.

The epic tells the story of Gilgamesh's adventures, including his friendship with the wild man Enkidu and their journey to the Cedar Forest to fight the monster Humbaba. After Enkidu's death, Gilgamesh becomes obsessed with the fear of his own mortality and sets out on a journey to find the secret of immortality. He eventually meets Utnapishtim, the only human who has been granted immortality by the gods, and learns the secret of eternal life but fails to achieve it.

The epic also explores themes of friendship, loss, and the human condition, and it is considered one of the earliest known works of literature in world history. The poem was widely read in ancient Mesopotamia and had a significant influence on later literature in the region. The epic of Gilgamesh is still widely read and studied today, both for its historical and literary significance.

Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

Vishnu is the second member of the Hindu Trinity. He maintains the order and harmony of the universe, which is periodically created by Brahma and periodically destroyed by Shiva to prepare for the next creation. Vishnu is worshipped in many forms and in several avatars (incarnations). Vishnu is an important, somewhat mysterious god. Less visible than nature gods that preside over elements (such as fire and rain), Vishnu is the pervader — the divine essence that pervades the universe. He is usually worshipped in the form of an avatar (see below).

Powerful and malevolent spirits in Arabian folklore, often depicted as rebellious and disobedient to God.

A divine youth who could see the future and often accompanied the god of war, Tinia, in battles.

Castor and Pollux (or in Greek, Polydeuces) were twin half-brothers in Greek and Roman mythology, known together as the Dioscuri. ... Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini.

While widely known as one of the major gods of Gaul during Roman times, the origins of Taranis probably harked back to far older (and ancient) Celtic traditions. As we mentioned before, according to Lucan, Taranis formed a triad of Celtic gods (along with Toutatis and Esus), and as such, he was regarded as the god of thunder, thus drawing obvious comparisons to Roman Jupiter (and Greek Zeus). Even in the visual scale, the god was portrayed with a lightning bolt, thus bearing more similarity to Zeus. However, literally, on the other hand, Taranis was also depicted with a solar wheel – one of the most prevalent symbols found on Celtic artifacts, which suggests his eminence in the related pantheon.

God of the underworld and the afterlife who was killed and resurrected

Munichus (or Munychus), Son of Panteucles

Munichus (or Munychus), the son of Panteucles, is a figure in Greek mythology about whom very little is known. His mention in the classical myths is minimal, and he does not feature prominently in the famous Greek legends.

Limited Information

The character of Munichus appears to be one of the many lesser-known figures in Greek mythology. Due to the loss of numerous ancient texts over time or the possibility that he was only mentioned in localized myths, detailed information about Munichus is scarce.

Character Significance

While Munichus does not play a major role in the well-known Greek myths, his mention suggests he was part of a family with some standing. Characters mentioned in Greek mythology often have connections to nobility, royalty, or significant societal status.

Exploring Obscure Mythological Figures

For those interested in the more obscure aspects of Greek mythology, Munichus represents the many characters who are part of the expansive family trees or local stories overshadowed by the more famous myths. Academic resources or specialized texts in classical studies may provide further insights into such lesser-known figures.

Heidrek or Heiðrekr is one of the main characters in the cycle about the magic sword Tyrfing. He appears in the Hervarar saga, and probably also in Widsith,[1] together with his sons Angantyr (Incgentheow) and Hlöð (Hlith), and Hlöð's mother Sifka (Sifeca). The etymology is heiðr, meaning "honour", and rekr, meaning "ruler, king".

Heidrek would have the daughter Hervor and the sons Angantyr and Hlöd. When Heidrek, the king of the Goths died, Angantyr inherited and refused to give Hlöd equal share. Hlöd attacked with the Hunnish army and in an epic battle, Hlöd was slain. Angantyr would be one of the ancestors of the Swedish kings of the House of Munsö.

Odin, the supreme deity, had, besides the title of All-Father, many other names. He was called Ygg (The Awful), Gagnrad (He Who Determines Victories), Herjan (God of Battles), Har (The High One), Jafnhar (Even as High), Thridi (Third), 1 Nikar, Nikud, Bileyg (One With Evasive Eyes), Baleyg (One With Flaming Eyes), Bolverk (The Worker of Misfortune), Sigfather (The Father of Battle or of Victory), Gaut (The Creator or, the “Geat”), Roptatyr, Valfather (Father of the Slain), 2 etc. Odin was the wisest of all the gods; from him the others always sought counsel when need arose. He drew wisdom from the well of the Giant Mimir. Having placed one of his eyes in pawn with Mimir, Odin invariably appeared as a one-eyed, rather oldish man; 3 otherwise he ’was represented as strong and well-favored, and as armed with spear and shield. In Valhalla and Vingolf, where Odin gave banquets to gods and heroes, he himself partook of nothing but wine, which to him was both meat and drink; the meat that was placed before him he gave to his two wolves, Geri and Freki. 4 Odin also had two ravens, Hugin and Munin (Thought and Memory), which perched one on each of his shoulders. To them he owed a great part of his wisdom; every day they flew forth through the expanses of the universe, returning at supper to tell him all that they had seen; therefore Odin was called also the God of Ravens. From his high seat, Lidskjalf in Valaskjalf, Odin saw all that came to pass. On his horse, Sleipnir, which was eight-footed and the fleetest horse in the world, he rode wherever he wished. His spear Gungnir would strike whatsoever he aimed at. On his arm he wore the precious ring Draupnir; from it dropped every ninth night eight other rings as splendid as Itself.

HildÃlfr (Old Norse "war-wolf") is a son of Odin according to the Nafnaþulur list of the Prose Edda's Skáldskaparmál.

In Greek mythology, Myrtilus was a divine hero and son of Hermes. His mother is said variously to be an Amazon, either Theobule or Myrto; Phaethusa, daughter of Danaus; or a nymph or mortal woman named Clymene, Clytie, or Cleobule.

This classic (Greek) tale tells how a noble youth accidentally marries his own mother, kills his own father (deliberately) and ends up paying a terrible price for invoking the wrath of the Gods. Written by Steve Crook This classic (Greek) tale tells how a noble youth accidentally marries his own mother, kills his own father (deliberately) and ends up paying a terrible price for invoking the wrath of the...

While Ben Gates is presenting new information about John Wilkes Booth and the 18 pages missing from Booth's diary, a man by the name of Mitch Wilkinson stands up and presents a missing page of John Wilkes Booth's diary. Thomas Gates, Ben's great-grandfather, is mentioned on the page. It shows that Ben's great-grandfather was a co-conspirator in Abraham Lincoln's murder. When doing more research, the conspiracy takes Ben, Abigail Chase, and Riley Poole to Buckingham Palace (which they break into). They discover a plank that has early Native American writing on it. The plank has only one symbol that Patrick Gates can identify. The symbol is Cibola (see-bowl-uh) meaning the City of Gold. In order to define the rest they have to go to Ben's mother, Patrick's divorced wife. After 32 years it brings back old arguments. After that the other clue is in the President's desk in the Oval Office in the White House (which Ben and Abigail sneak into) to discover that the clue lies in The President's Book. But in order to see the book, their choice is either get elected president or kidnap the President of the United States. Which do they choose? It's obvious. With Wilkinson close on their tail, they find the book in the Library of Congress. The conspiracy then crosses to Mount Rushmore where the clue was on the hills, but (according to the Book) President Calvin Coolidge had the faces carved in so no one can find the City of Gold. When they get there they find out that they must work with Wilkinson since he has some clues of his own. Who will claim Cibola? And will the name of Gates be known as murder? Written by mviedirctr354 Benjamin Gates must follow a clue left in John Wilkes Booth's diary to prove his ancestor's innocence in the assassination of Abraham Lincoln.

Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from Director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the...

Timeline is based on Medieval mythology. The film follows a group of scientists as they travel back in time to 14th century France in order to save a friend. Along the way they face danger and discover the power of faith. A group of archaeologists and combat experts led by Paul Walker and Frances O'Connor use a "3-D fax machine" (so much for technobabble!) to time-travel back to France in 1357, in hopes of retrieving Walker's father and returning safely to the present. No such luck. Fending for themselves against marauding hordes of medieval French warriors at war with the invading British, these semi-intrepid travelers find their body count rising, and the deadline for their return home is rapidly approaching. Written by Anthony Pereyra {hypersonic91@yahoo.com} A group of archaeologists become trapped in the past when they go there to retrieve a friend. The group must survive in 14th century France before they can escape back to the 21st Century.

Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarök, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela (Cate Blanchett). Written by ahmetkozan Imprisoned on the planet Sakaar, Thor must race against time to return to Asgard and stop Ragnarök, the destruction of his world, at the hands of the powerful and ruthless villain Hela.