Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

According to the Sámi world view, man and nature were one. To the Sámi people, nature was home, a way of life, the past and the future. In the Sámi world view, as in that of other arctic peoples, the well-being of man and nature alike was directly dependent upon the balance between the two.

The Sami people are an indigenous people of the Arctic regions of Norway, Sweden, Finland, and Russia. Their traditional belief system is known as Sami mythology, which includes a rich collection of myths, legends, and religious beliefs. Here are a few examples of famous myths from Sami mythology:

The story of the creation of the world: According to Sami mythology, the world was created by the god, Radien-attje, who is the supreme god and creator of the universe.

The story of the Sami ancestor: The Sami ancestor is the first human being created by the god, Radien-attje. This figure is considered as the first ancestor of the Sami people and his children are considered as the founders of different Sami tribes and clans.

The story of the spirits: Sami mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.

The story of the shamans: In Sami mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.

The story of the Nattravnen: Nattravnen is a spirit of the night, known for its ability to shape-shift and for its mischievous nature. It is often depicted as a bird or an owl.

These myths, along with others, are used by the Sami people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Sami traditional religion was based on animism, ancestor worship, and shamanism.

Chinese mythology refers to those myths found in the historical geographic area of China: these include myths in Chinese and other languages, as transmitted by Han Chinese and other ethnic groups, which have their own languages and myths.

Chinese mythology is a collection of myths, legends, and traditional stories that have been passed down over the centuries in China. Here are a few examples of famous myths from Chinese mythology:

• The story of the Jade Emperor: The Jade Emperor is the highest god in Chinese mythology and is known as the ruler of all gods and spirits. He is often depicted as a wise and benevolent ruler who governs the universe with fairness and justice.
• The story of the Four Symbols: The Four Symbols are four powerful creatures in Chinese mythology, each representing a different season and cardinal direction. They are the Black Tortoise, the White Tiger, the Blue Dragon, and the Red Phoenix.
• The story of Nüwa: Nüwa is a goddess in Chinese mythology and is known as the mother of mankind. She is often depicted as the creator of the world and the one who mends the sky after natural disasters.
• The story of Sun Wukong: Sun Wukong is a monkey king and a powerful figure in Chinese mythology. He is known for his intelligence, strength, and his ability to shape-shift. He is one of the most important characters in the classic novel "Journey to the West"
• The story of the Eight Immortals: The story of the Eight Immortals in Chinese mythology is a popular legend that tells of a group of eight legendary figures who possess supernatural powers and are able to achieve immortality. Each of the eight immortals has their own unique abilities and stories, but they are all united by their quest for enlightenment and their desire to help the people.

Japanese mythology encompasses the folk traditions of Japan and the Shinto religion. It is a collection of stories, beliefs, and customs that have been passed down through generations. The stories often revolve around the creation of the world, the deeds of the gods and goddesses, and the lives of heroes and monsters.

Famous Myths of Japanese Mythology

• The myth of the creation of Japan

  According to Japanese mythology, the god Izanagi and goddess Izanami were responsible for the creation of the Japanese islands. They stood on the bridge between heaven and earth and dipped a spear into the water, creating the first island of Onogoro.

• The myth of Amaterasu

  Amaterasu is the goddess of the sun and the ancestor of the Imperial Family of Japan. She is said to have been offended by her brother's behavior and retreated into a cave, causing the world to become dark. Her eventual return to the world brought light and warmth back to the land.

• The myth of Susano-o

  Susano-o is the god of sea and storms, as well as brother of Amaterasu. He is known for his reckless and impulsive behavior, which often causes trouble for the other gods.

• The myth of the eight-headed serpent, Yamata no Orochi

  Yamata no Orochi is a giant serpent with eight heads and eight tails, who terrorized an ancient province in Japan. He was eventually defeated by the god Susano-o, who saved a maiden and her brothers from the serpent's attacks.

• The myth of the Tengu

  Tengu are supernatural creatures that are half-human

In Greek mythology, Eurytus Ancient Greek: and Cteatus Ancient Greek: were twin brothers and also named the Moliones or Molionidai for their mother, Molione.

Avatars are savior forms of a god that descend to earth to intervene whenever help is needed to restore dharma (moral order) and peace. The avatars of Lord Vishnu are:

• Satya Yuga: Kurma avatar, Matsya avatar, Varaha avatar, Narasimha avatar
• Treta Yuga: Rama avatar, Parashurama avatar, Vamana avatar
• Dvapara Yuga: Krishna avatar
• Kali Yuga: Buddha avatar, Kalki avatar(Yet to born)

Rama is a major deity of Hinduism, and a central character in the ancient Hindu epic, the Ramayana. He is the seventh avatar of the god Vishnu and is known as the perfect human being, an ideal son, husband, and king. He is one of the most popular and widely worshipped Hindu gods, and is usually depicted with his wife Sita, brother Lakshmana, and devotee Hanuman. Rama's story tells of his exile from his kingdom, his journey to defeat the demon king Ravana, and his return to his kingdom with Sita. He is seen as an example of truth, courage, compassion, and self-control, and is a symbol of dharma, or righteous living.

If one Hindu god's name is known and recognized throughout the world, it is Krishna. Hindus identify Krishna as the teacher of the sacred scripture called the Bhagavad Gita and as the friend and mentor of prince Arjuna in the epic the Mahabharata. For his devotees, Krishna is a delight, full of playful pranks. But most of all, Lord Krishna’s promise to humanity that he will manifest himself and descend to earth whenever dharma declines has sustained Hindu belief in the Supreme Being over thousands of years.

Bellerophon was a famous Greek hero, mostly known for defeating Chimera, a fire-breathing mythical monster. He was also recognised by riding white Pegasus which was a sort of a gift from Athena for his devotion to the goddess. Bellerophon was, according to Homer's Iliad, a son of Glaucus and Eurymede of Corinth.

Heidrek or Heiðrekr is one of the main characters in the cycle about the magic sword Tyrfing. He appears in the Hervarar saga, and probably also in Widsith,[1] together with his sons Angantyr (Incgentheow) and Hlöð (Hlith), and Hlöð's mother Sifka (Sifeca). The etymology is heiðr, meaning "honour", and rekr, meaning "ruler, king".

In Greek mythology, Euphorbus (Ancient Greek: or Euforbo) was a Trojan hero during the Trojan War.

The supreme creator god in Malagasy mythology, responsible for the creation of the world and all living things.

Lioness-headed goddess of war and healing

Odin, the supreme deity, had, besides the title of All-Father, many other names. He was called Ygg (The Awful), Gagnrad (He Who Determines Victories), Herjan (God of Battles), Har (The High One), Jafnhar (Even as High), Thridi (Third), 1 Nikar, Nikud, Bileyg (One With Evasive Eyes), Baleyg (One With Flaming Eyes), Bolverk (The Worker of Misfortune), Sigfather (The Father of Battle or of Victory), Gaut (The Creator or, the “Geat”), Roptatyr, Valfather (Father of the Slain), 2 etc. Odin was the wisest of all the gods; from him the others always sought counsel when need arose. He drew wisdom from the well of the Giant Mimir. Having placed one of his eyes in pawn with Mimir, Odin invariably appeared as a one-eyed, rather oldish man; 3 otherwise he ’was represented as strong and well-favored, and as armed with spear and shield. In Valhalla and Vingolf, where Odin gave banquets to gods and heroes, he himself partook of nothing but wine, which to him was both meat and drink; the meat that was placed before him he gave to his two wolves, Geri and Freki. 4 Odin also had two ravens, Hugin and Munin (Thought and Memory), which perched one on each of his shoulders. To them he owed a great part of his wisdom; every day they flew forth through the expanses of the universe, returning at supper to tell him all that they had seen; therefore Odin was called also the God of Ravens. From his high seat, Lidskjalf in Valaskjalf, Odin saw all that came to pass. On his horse, Sleipnir, which was eight-footed and the fleetest horse in the world, he rode wherever he wished. His spear Gungnir would strike whatsoever he aimed at. On his arm he wore the precious ring Draupnir; from it dropped every ninth night eight other rings as splendid as Itself.

God of the sun, justice, morality, and truth. Associated with law, order, and divine justice in Mesopotamian religion.

Teshub is the Hittite storm god, associated with thunder and rain. He is depicted as a mighty warrior wielding a thunderbolt.

Off the coast of the volcanic island of Santorini, the intrepid archaeologist, Lara Croft, makes the unexpected discovery of a throbbing golden orb able to guide its holder to the mythical Pandora's Box. As the legendary artefact contains ancient mysteries of unfathomable power, Lara needs to make sure it doesn't fall into the wrong hands, especially the unscrupulous former Nobel Prize winner and now a bio-weapons dealer, Jonathan Reiss. With the aid of the former agent, Terry Sheridan, the fearless adventurer travels the world in pursuit of the precious item; however, can she retrieve it in time to save the day? Written by Nick Riganas Adventurer Lara Croft goes on a quest to save the mythical Pandora's Box, before an evil scientist finds it, and recruits a former Marine turned mercenary to assist her.

Timeline is based on Medieval mythology. The film follows a group of scientists as they travel back in time to 14th century France in order to save a friend. Along the way they face danger and discover the power of faith. A group of archaeologists and combat experts led by Paul Walker and Frances O'Connor use a "3-D fax machine" (so much for technobabble!) to time-travel back to France in 1357, in hopes of retrieving Walker's father and returning safely to the present. No such luck. Fending for themselves against marauding hordes of medieval French warriors at war with the invading British, these semi-intrepid travelers find their body count rising, and the deadline for their return home is rapidly approaching. Written by Anthony Pereyra {hypersonic91@yahoo.com} A group of archaeologists become trapped in the past when they go there to retrieve a friend. The group must survive in 14th century France before they can escape back to the 21st Century.

It is the year 1250 B.C. during the late Bronze age. Two emerging nations begin to clash after Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband, Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. So they set off with 1,000 ships holding 50,000 Greeks to Troy. With the help of Achilles, the Greeks are able to fight the never before defeated Trojans. But they come to a stop by Hector, Prince of Troy. The whole movie shows their battle struggles and the foreshadowing of fate in this remake by Wolfgang Petersen of Homer's "The Iliad." Written by Mensur Gjonbalaj An adaptation of Homer's great epic, the film follows the assault on Troy by the united Greek forces and chronicles the fates of the men involved.

A team of U.S. archaeologists unearths an ancient pyramid buried deep beneath the Egyptian desert. As they search the pyramid's depths, they become hopelessly lost in its dark and endless catacombs. Searching for a way out, they become desperate to seek daylight again. They come to realize they aren't just trapped, they are being hunted. Written by lemoviecritic An archaeological team attempts to unlock the secrets of a lost pyramid only to find themselves hunted by an insidious creature.

A Persian sailor named Sinbad is on a quest to find the magical legendary Book of Peace, a mysterious artifact that Eris, the Greek wicked goddess of chaos, has ultimately framed him for stealing! If he fails on this quest, his childhood friend Prince Proteus of Syracuse will take Sindbad's death penalty, while Eris gains a desired foothold of power in the world of mortals. Written by Anthony Pereyra (hypersonic91yahoo.com) The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood...