Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Inuit Mythology

Inuit mythology is the traditional belief system of the Inuit people, who live in the Arctic regions of Alaska, Canada, and Greenland. Here are a few examples of famous myths from Inuit mythology:

The story of Sedna

Sedna is the goddess of the sea and marine animals in Inuit mythology. She is known for her role as the provider of food and is often invoked to ensure a good hunt.

The story of the Raven

The Raven is a powerful trickster figure in Inuit mythology and is known for his intelligence and cunning. He is often depicted as the creator of the world and is considered a bringer of culture and wisdom to the Inuit people.

The story of the Inuit ancestor

The Inuit ancestor is the first human being created by the god, Raven. This figure is considered as the first ancestor of the Inuit people, and his children are considered as the founders of different Inuit tribes and clans.

The story of the spirits

Inuit mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.

The story of the shamans

In Inuit mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.

These myths, along with others, are used by the Inuit people to explain the origins of their people and their customs, and to reinforce their traditional beliefs and values. The Inuit traditional religion was based on animism, ancestor worship, and shamanism.

Tumbuka has many myths that constitute part of the Tumbuka cultural heritage.

These myths, told around fires at night, often to the accompaniment of drumming and choral responses, aim to teach children moral behavior and to entertain. The Tumbuka people are an ethnic group that live primarily in northern Malawi and eastern Zambia. Tumbuka mythology is rich with stories, myths and legends which are passed down from generation to generation through oral tradition. Some of the famous myths from Tumbuka mythology include:

The story of Mbulu:

Mbulu is the supreme being and creator of the Tumbuka people. He is often depicted as a powerful and benevolent god who watches over the Tumbuka people.

The story of Mwali:

Mwali is the god of war and is known for his strength and bravery. He is often invoked in times of conflict and is considered a protector of the Tumbuka people.

The story of Mlengi:

Mlengi is the god of fertility and is responsible for the abundance of crops and the growth of the Tumbuka people.

The story of Chaminuka:

Chaminuka is a powerful and wise ancestor who is considered to be the founder of the Tumbuka people. He is often invoked for guidance and wisdom.

The story of Mpherere:

Mpherere is the god of thunder and lightning and is known for his power and fury. He is often invoked to bring rain and is considered a protector of the Tumbuka people.

These myths, along with others, are used by the Tumbuka people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Tumbuka people have a strong belief in traditional religion, ancestor worship and animism.

Etruscan mythology comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, originating in the 7th century BC from the preceding Iron Age Villanovan culture, with its influences in the mythology of ancient Greece and Phoenicia, and sharing similarities with concurrent Roman mythology.

The Etruscan civilization existed in ancient Italy from around the 8th century BCE to the 3rd century BCE, and its myths and religious beliefs have been largely lost to time. However, some of the myths that have been reconstructed from the surviving evidence include:Famous Myths of Etruscan Mythology

• The myth of Tages

  Tages was a child-god who emerged from the plowed fields and taught the Etruscans divination and the art of reading the will of the gods.

• The myth of Charun

  Charun was the Etruscan god of death, and was often depicted as a fearsome figure with a hammer, ready to strike the souls of the dead.

• The myth of Turms

  Turms was the Etruscan equivalent of Hermes, the Greek messenger of the gods. He was known for his speed and agility and was often depicted with winged sandals.

• The myth of Menrva

  Menrva was the Etruscan goddess of wisdom, war, and the arts. She was often equated with the Greek Athena and the Roman Minerva.

• The myth of Laran

  Laran was the Etruscan god of war, and was often depicted as a fierce warrior, ready to defend his people.

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. Finnish mythology is the traditional belief system of the Finnish people, and it is closely related to the mythology of other Finno-Ugric peoples such as the Estonians and the Hungarians. Here are a few examples of famous myths from Finnish mythology:

The story of the creation of the world: According to Finnish mythology, the world was created by Ilmatar, a primal goddess of the air and the sky.

The story of Väinämöinen: Väinämöinen is a powerful and wise sorcerer in Finnish mythology, who is considered as one of the main characters of the Kalevala, a traditional epic poem of Finland. He is known for his wisdom and his role as a culture hero.

The story of Kullervo: Kullervo is a tragic hero of the Finnish mythology and is considered as one of the main characters of the Kalevala. He is known for his misfortune, his tragic fate and his power.

The story of Joukahainen: Joukahainen is a rival of Väinämöinen in the Kalevala, who is known for his arrogance and his defeat by Väinämöinen

The story of Lemminkäinen: Lemminkäinen is another character of the Kalevala, known for his romantic adventures and his quest to win the hand of the Maiden of the North.

These myths, along with others, are used by the Finnish people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Finnish traditional religion was a mixture of animism, nature worship, and ancestor worship.

Persian mythology are traditional tales and stories of ancient origin, all involving extraordinary or supernatural beings. Drawn from the legendary past of Iran, they reflect the attitudes of the society to which they first belonged - attitudes towards the confrontation of good and evil, the actions of the gods, yazats (lesser gods), and the exploits of heroes and fabulous creatures. Myths play a crucial part in Iranian culture and our understanding of them is increased when we consider them within the context of Iranian history.

Persian mythology, also known as Zoroastrianism, has a rich collection of myths and legends that have been passed down for thousands of years. Some of the most famous myths of Persian mythology include:

• The story of Zoroaster: This is the story of the prophet Zoroaster, who received a revelation from Ahura Mazda, the god of wisdom and goodness, and who taught the principles of the good religion.
• The Battle of the Gods: The Persian mythology tells of a great battle between the forces of good and evil, led by Ahura Mazda and Angra Mainyu respectively. This battle is said to have been fought to determine the fate of humanity and the world.
• The story of Yima: This is the story of the first man on earth, Yima, who was tasked by Ahura Mazda to create a paradise on earth and protect humanity from the forces of evil.
• The story of Fereydun and the dragon: This is the story of Fereydun, a Persian hero who fought and defeated a dragon to save his people.
• The story of Afrasiyab: Afrasiyab is the king of the demons and the archenemy of the Persian king, Iran. The story of Afrasiyab and Iran's battles is a recurrent theme in Persian mythology and literature.
• The story of Jamshid: Jamshid is a king of Persia who becomes arrogant and loses the favor of the gods and his kingdom.

These myths are part of the Zoroastrian religion, which was the dominant religion in Persia before the arrival of Islam. They were passed down through oral tradition and were later recorded in the sacred texts of the Avesta. They continue to be an important part of Persian culture and are still referenced in modern literature and art.

Agni holds a special place in Hindu fire ritual to this day as the sacrificer (the priest who performs the ceremony) and the witness to all rites. the sacrifice (the ritual fire and the offerings made into it)

Though rarely mentioned in inscriptions, Lugos or Lugus (as known in Gaul) or his cognates Lugh Lámhfhada (Lugh of the Long Arm) in Gaelic Irish and Lleu Llaw Gyffes (Lleu of the Skillful Hand) in Welsh, was an important deity among the Celtic gods and goddesses. Often revered as the resplendent sun god, Lugus or Lugh was also perceived as a dashing (and often youthful) warrior responsible for slaying Balor – the one-eyed chief of the Formorii, the old adversaries of the Tuatha Dé Danann.

Egil is a legendary hero of the Völundarkviða and the Thidreks saga. The name is from Proto-Germanic *Agilaz[1] and the same legend is reflected in Old English Ægil [æɡiɫ] of the Franks Casket and Alamannic Aigil of the Pforzen buckle. The Proto-Germanic form of the legend may only be guessed at, but it appears likely that Egil was a renowned archer who defended a keep together with his wife Aliruna, against numerous attackers. The testimony of the Pforzen buckle is uncertain beyond naming Aigil and Ailrun, possibly adding that they fought a battle at the Ilz river. Similar to Heracles and Athena fighting off the giants from Olympus in the Gigantomachy the Franks Casket shows the scene of Aegil and his wife enclosed in the keep, with Aegil shooting arrows against attacking troops of giants.

Heimdal is another of the chief gods; according to report he was considered great and holy, and bore the appellation of the White God. He was born in a miraculous manner of nine Giant maidens, on the confines of the earth, in the morning of time; and he drew his sustenance from the earth. By some he was called Odin’s son. His teeth are of gold; by night or day his vision spans a hundred miles of space; he is able to hear the growing of grass upon the ground and of wool on the backs of sheep; therefore he is a fit watchman for the gods. He dwells near Bifrost, which he guards against the Giants. He has an immense horn, the Gjallar-Horn; when he blows it, the sound is heard in all the worlds. His dwelling at the brink of heaven is known as the Mount of Heaven (Himinbjorg). For the rest, report has little to say of Heimdal. He is also called Gullintanni, by reason of his golden teeth; another of his names is Hallinskidi.

In Greek mythology, Achilles or Achilleus was a hero of the Trojan War, the greatest of all the Greek warriors, and is the central character of Homer's Iliad. He was the son of the Nereid Thetis and Peleus, king of Phthia.

Halga, Helgi, Helghe or Helgo was a legendary Danish king living in the early 6th century.[1] His name would in his own language (Proto-Norse) have been *Hailaga[2] (dedicated to the gods). Scholars generally agree that he appears in both Anglo-Saxon (Beowulf) and Scandinavian tradition (Norse sagas and Danish chronicles).[3] In both traditions, he was a Scylding, the son of Healfdene and the brother of Hroðgar. In Beowulf, his relationship to Hroðulf is not explained, but if he was not his father, as in the Scandinavian tradition, he was at least his uncle. Both traditions also mention his family's feud with Froda and Ingeld. Whereas, not much is said about Halga in Anglo-Saxon sources, much more is said in Scandinavian ones, all of them containing a version of the story of his incestuous relationship with his own daughter Yrsa. This liaison resulted in Halga's son Hroðulf.

God of embalming, protector of graves and the judge of the dead

Lycurgus was the quasi-legendary lawgiver of Sparta who established the military-oriented reformation of Spartan society in accordance with the Oracle of Apollo at Delphi.

Parrhasius of Ephesus

Parrhasius of Ephesus was a celebrated painter of ancient Greece, renowned for his skill and innovation in the art of painting. He lived during the 5th century BCE and was a contemporary of other famous artists like Zeuxis.

Life and Career

Parrhasius was born in Ephesus, a city known for its cultural and artistic achievements. He later moved to Athens, where he became an influential figure in the art world. Parrhasius was known for his precise and detailed painting style, and he played a significant role in the development of graphical perspective in art.

Contributions to Art

One of Parrhasius' most notable contributions was his exploration of the use of lines and contours in painting. He is often credited with refining the technique of drawing outlines, bringing a new level of realism to his depictions of the human form.

Famous Works and Rivalry with Zeuxis

While none of Parrhasius' works survive to the present day, his fame is well-documented through ancient texts. He is famously known for his artistic rivalry with Zeuxis. In one anecdote, Parrhasius painted a curtain so realistically that Zeuxis, thinking it was a real curtain, tried to pull it aside.

Parrhasius' legacy in the world of art is marked by his innovation and mastery of technique, making him one of the celebrated painters of ancient Greece and an influential figure in the history of art.

Heroic king of Uruk, renowned for his adventures and quest for immortality. Central figure in the Epic of Gilgamesh, one of the earliest surviving works of literature.

In Greek mythology, Andropompus was one of the descendants of Neleus, king of Thessaly, as son of Penthilus and Anchirhoe. He was the father of King Melanthus of Athens.

Dragon god of rain, known for its ability to control the weather

A kind-hearted street urchin Aladdin vies for the love of the beautiful princess Jasmine, the princess of Agrabah. When he finds a magic lamp, he uses the genie's magic power to make himself a prince in order to marry her. He's also on a mission to stop the powerful Jafar who plots to steal the magic lamp that could make his deepest wishes come true

A Persian sailor named Sinbad is on a quest to find the magical legendary Book of Peace, a mysterious artifact that Eris, the Greek wicked goddess of chaos, has ultimately framed him for stealing! If he fails on this quest, his childhood friend Prince Proteus of Syracuse will take Sindbad's death penalty, while Eris gains a desired foothold of power in the world of mortals. Written by Anthony Pereyra (hypersonic91yahoo.com) The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood...

Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster. Written by Jim Beaver Two Americans searching for work in Mexico convince an old prospector to help them mine for gold in the Sierra Madre Mountains.

After retrieving the Crystal Skull in Utah, Flynn Carsen receives a map in the mail with the secret location of King Solomon's Mines. When the scroll is stolen, Judson explains the power of the Key of Solomon's book and assigns Flynn to retrieve the map. The map is useless without the legend piece to decipher it, which is located in Volubilis near the Roman ruins in Morocco. Flynn heads to Casablanca to the ruins where he is chased by a group of mercenaries leaded by General Samir. They too want to find the location of King Solomon's mines. Flynn teams-up with Professor Emily Davenport working in the dig and they escape from General Samir and his men. While traveling to Gedi, they save the local Jomo from death and the trio faces a dangerous journey through the wild Africa. Written by Claudio Carvalho, Rio de Janeiro, Brazil Librarian-turned-adventurer Flynn Carsen endeavors to find King Solomon's mines.

In Ancient Greece 1200 B.C., a queen succumbs to the lust of Zeus to bear a son promised to overthrow the tyrannical rule of the king and restore peace to a land in hardship. But this prince, Hercules, knows nothing of his real identity or his destiny. He desires only one thing: the love of Hebe, Princess of Crete, who has been promised to his own brother. When Hercules learns of his greater purpose, he must choose: to flee with his true love or to fulfill his destiny and become the true hero of his time. The story behind one of the greatest myths is revealed in this action-packed epic - a tale of love, sacrifice and the strength of the human spirit. Written by Millennium Entertainment The origin story of the mythical Greek hero. Betrayed by his stepfather, the King, and exiled and sold into slavery because of a forbidden love, Hercules must use his formidable powers to...