Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

Some of the most famous myths of Egyptian mythology include the story of Ra and the creation of the world, the story of Osiris, Isis, and Horus, and the story of the god Anubis and the weighing of the heart.

The story of Ra and the creation of the world describes how the sun god Ra emerged from the chaos of Nun to create the world and the gods. The story of Osiris, Isis, and Horus tells of the murder of Osiris, the god of the underworld, by his brother Set, and how Osiris's wife Isis and son Horus sought to avenge his death and restore him to power.

The story of Anubis and the weighing of the heart is a myth that describes the judgement of the dead in the afterlife. It tells how the god Anubis would weigh the hearts of the deceased against the feather of Ma'at, the goddess of truth and justice, to determine whether they were worthy of entering the afterlife.

Other notable myths in Egyptian mythology include the story of the god Horus and his battles with his uncle Seth, the myth of the goddess Hathor, and the story of the god Ra and the serpent Apep.

These myths play a central role in Ancient Egyptian religion and were widely known among the ancient Egyptians. They were often depicted in art and were performed in temple rituals. They also played a significant role in shaping the culture, beliefs, and worldview of ancient Egyptians.

The Lotuko people are an ethnic group that live primarily in the Eastern Equatoria state of South Sudan. I couldn't find enough information about their mythology. However, the Lotuko people have a rich oral tradition that includes stories, fables, proverbs, and riddles, which are passed down from generation to generation. These stories often involve animals and spirits, and they are used to teach moral lessons and explain the origins of the Lotuko people and their customs. Lotuko people have a strong belief in traditional religion, ancestor worship and animism.

Top myths of Lotuko mythology

The Creation of the World

This myth tells the story of how the world was created by the god Akuji. He created the earth and the sky, and then filled the world with plants and animals. This myth teaches the Lotuko people the importance of respecting nature.

The Origin of the Crocodile

This myth tells of how a crocodile came to be. It is said that the god Akuji created the crocodile from a piece of wood. He then gave it the power to protect the people and their land.

The Great Flood

This myth tells of a great flood that wiped out all of humanity. It is said that the god Akuji sent the flood to punish mankind for their sins. The Lotuko people use this story to teach their children the importance of obedience and respect.

The Battle of the Sun and Moon

This myth tells of a battle between the sun and moon. The sun and moon fought for many days, until the sun was victorious. The Lotuko people believe that this story symbolizes the constant struggle between good and evil.

The Story of the First Man and Woman

This myth tells the story of the first man and woman. It is said that the god Akuji created the first man and woman from a piece of wood. This myth teaches the Lotuko people the importance of family and the value of human life.

The Origin of Death

This myth tells of the origin of death. It is said that the god Akuji created death in order to keep balance in the world. This story is used to remind the Lotuko people of the importance of living life to the fullest.

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. Finnish mythology is the traditional belief system of the Finnish people, and it is closely related to the mythology of other Finno-Ugric peoples such as the Estonians and the Hungarians. Here are a few examples of famous myths from Finnish mythology:

The story of the creation of the world: According to Finnish mythology, the world was created by Ilmatar, a primal goddess of the air and the sky.

The story of Väinämöinen: Väinämöinen is a powerful and wise sorcerer in Finnish mythology, who is considered as one of the main characters of the Kalevala, a traditional epic poem of Finland. He is known for his wisdom and his role as a culture hero.

The story of Kullervo: Kullervo is a tragic hero of the Finnish mythology and is considered as one of the main characters of the Kalevala. He is known for his misfortune, his tragic fate and his power.

The story of Joukahainen: Joukahainen is a rival of Väinämöinen in the Kalevala, who is known for his arrogance and his defeat by Väinämöinen

The story of Lemminkäinen: Lemminkäinen is another character of the Kalevala, known for his romantic adventures and his quest to win the hand of the Maiden of the North.

These myths, along with others, are used by the Finnish people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Finnish traditional religion was a mixture of animism, nature worship, and ancestor worship.

The Bantu Mythology

The Bantu mythology is the system of myths and legends of the Bantu peoples of Africa. Although Bantu peoples account for several hundred different ethnic groups, there is a high degree of homogeneity in Bantu cultures and mythologies, just as in Bantu languages.

The Bantu people, who live in many parts of Africa, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bantu mythology: The Creation Myth

The Bantu believe that the world was created by a god or gods, who formed the earth, sky, and all living things. Different Bantu groups have different creation stories, but they often involve the god or gods creating the world out of chaos or darkness.

The Myth of the First Human

According to Bantu legend, the first human, named Likumbi, was created by the god or gods. Different Bantu groups have different stories about how the first human was created, but they often involve the god or gods fashioning the first human out of clay or dust.

The Myth of the First Fire

The Bantu believe that fire was brought to earth by a god or goddess, who gave it to humans as a gift. Different Bantu groups have different stories about how fire was brought to earth, but they often involve a trickster figure stealing fire from the gods or a god or goddess giving fire to humans as a reward for good behavior.

The Myth of the First Rain

The Bantu believe that the first rain was brought to the world by a god or goddess, who sent it to earth as a gift. Different Bantu groups have different stories about how rain was brought to earth, but they often involve a god or goddess opening up the sky to let the rain fall or sending a messenger to earth to bring the rain.

The Myth of the Afterlife

The Bantu people have different beliefs about the afterlife, but some of the most common are a belief in a heaven and hell, a belief that the dead go to the land of the ancestors or a belief that the soul is reincarnated.

Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

Parrhasius of Ephesus

Parrhasius of Ephesus was a celebrated painter of ancient Greece, renowned for his skill and innovation in the art of painting. He lived during the 5th century BCE and was a contemporary of other famous artists like Zeuxis.

Life and Career

Parrhasius was born in Ephesus, a city known for its cultural and artistic achievements. He later moved to Athens, where he became an influential figure in the art world. Parrhasius was known for his precise and detailed painting style, and he played a significant role in the development of graphical perspective in art.

Contributions to Art

One of Parrhasius' most notable contributions was his exploration of the use of lines and contours in painting. He is often credited with refining the technique of drawing outlines, bringing a new level of realism to his depictions of the human form.

Famous Works and Rivalry with Zeuxis

While none of Parrhasius' works survive to the present day, his fame is well-documented through ancient texts. He is famously known for his artistic rivalry with Zeuxis. In one anecdote, Parrhasius painted a curtain so realistically that Zeuxis, thinking it was a real curtain, tried to pull it aside.

Parrhasius' legacy in the world of art is marked by his innovation and mastery of technique, making him one of the celebrated painters of ancient Greece and an influential figure in the history of art.

A divine child who emerged from a plowed field and taught the Etruscans the art of divination.

Agni holds a special place in Hindu fire ritual to this day as the sacrificer (the priest who performs the ceremony) and the witness to all rites. the sacrifice (the ritual fire and the offerings made into it)

Guðmundr (Old Norse, sometimes anglicised as Godmund) was a semi-legendary Norse king in Jotunheim, ruling over a land called Glæsisvellir, which was known as the warrior's paradise.

Jason. Jason, in Greek mythology, leader of the Argonauts and son of Aeson, king of Iolcos in Thessaly. His father's half-brother Pelias seized Iolcos, and thus for safety Jason was sent away to the Centaur Chiron.

Goddess of magic, motherhood and fertility who protected the dead

Avatars are savior forms of a god that descend to earth to intervene whenever help is needed to restore dharma (moral order) and peace. The avatars of Lord Vishnu are:

• Satya Yuga: Kurma avatar, Matsya avatar, Varaha avatar, Narasimha avatar
• Treta Yuga: Rama avatar, Parashurama avatar, Vamana avatar
• Dvapara Yuga: Krishna avatar
• Kali Yuga: Buddha avatar, Kalki avatar(Yet to born)

Iphigenia in Greek Mythology

Iphigenia is a notable character in Greek mythology, primarily known for her role in the story leading up to the Trojan War. She is the daughter of King Agamemnon and Queen Clytemnestra of Mycenae.

The Sacrifice of Iphigenia

One of the most poignant and tragic tales in Greek mythology is the story of Iphigenia's sacrifice. Agamemnon, her father, had offended the goddess Artemis, who in response stilled the winds so that the Greek fleet could not sail to Troy. The seer Calchas proclaimed that the only way to appease Artemis was to sacrifice Iphigenia. Agamemnon was torn but ultimately decided to comply, under the guise of marrying Iphigenia to the warrior Achilles.

Variations of the Tale

In some versions of the story, at the moment of the sacrifice, Artemis replaced Iphigenia with a deer and took the girl to Tauris where she became a priestess. In others, the sacrifice was carried out, which led to a series of tragic events in Agamemnon's family.

Legacy

The story of Iphigenia has been the subject of many literary and artistic works throughout history, including plays by Euripides and other classical authors. Her tale is often seen as a symbol of innocence betrayed and the devastating consequences of decisions made by those in power.

Munichus (or Munychus), Son of Panteucles

Munichus (or Munychus), the son of Panteucles, is a figure in Greek mythology about whom very little is known. His mention in the classical myths is minimal, and he does not feature prominently in the famous Greek legends.

Limited Information

The character of Munichus appears to be one of the many lesser-known figures in Greek mythology. Due to the loss of numerous ancient texts over time or the possibility that he was only mentioned in localized myths, detailed information about Munichus is scarce.

Character Significance

While Munichus does not play a major role in the well-known Greek myths, his mention suggests he was part of a family with some standing. Characters mentioned in Greek mythology often have connections to nobility, royalty, or significant societal status.

Exploring Obscure Mythological Figures

For those interested in the more obscure aspects of Greek mythology, Munichus represents the many characters who are part of the expansive family trees or local stories overshadowed by the more famous myths. Academic resources or specialized texts in classical studies may provide further insights into such lesser-known figures.

In most ancient mythical narratives, we rarely come across divine entities that are solely associated with language. Well, Ogmios, as one of the ancient Celtic gods, goes against this ‘trend’ since he was simply considered as the god of eloquence. 2nd century Hellenized Syrian satirist and rhetorician Lucian of Samosata mentioned how Ogmios was like the older version of Hercules in appearance, with both wearing lion skins and carrying clubs and bows. However, Ogmios does one better on the ‘bling’ factor by having long chains (made of amber and gold) attached to his tongue (inside his smiling mouth) that connect him with his group of followers. Essentially, the visual scope symbolically represented how the Celtic god had the power of eloquence and persuasion to bind his followers to him.

Hahhimas is the Hittite god of wisdom and magic, revered for his knowledge and mystical powers. He is often invoked for guidance and protection.

A giant fish or whale that supports the earth in Arabian mythology, sometimes depicted as a giant serpent.

Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster. Written by Jim Beaver Two Americans searching for work in Mexico convince an old prospector to help them mine for gold in the Sierra Madre Mountains.

An art collector appeals to Indiana Jones to embark on a search for the Holy Grail. He learns that another archaeologist has disappeared while searching for the precious goblet, and the missing man is his own father, Dr. Henry Jones. The artifact is much harder to find than they expected, and its powers are too much for those impure of heart. Written by Jwelch5742 In 1938, after his father Professor Henry Jones, Sr. goes missing while pursuing the Holy Grail, Professor Henry "Indiana" Jones, Jr. finds himself up against Adolf Hitler's Nazis again to...

After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power. Written by Claudio Carvalho, Rio de Janeiro, Brazil Losing his girlfriend because he was at an auction dramatically getting the magical philosopher's stone instead of a date, he needs a vacation - New Orleans but finds himself busy saving...

A kind-hearted street urchin Aladdin vies for the love of the beautiful princess Jasmine, the princess of Agrabah. When he finds a magic lamp, he uses the genie's magic power to make himself a prince in order to marry her. He's also on a mission to stop the powerful Jafar who plots to steal the magic lamp that could make his deepest wishes come true

During the Cold War, Soviet Agents watch Professor Henry "Indiana" Jones, Jr. (Harrison Ford), when a young man brings him a coded message from an aged, demented colleague, Professor Harold Oxley (Sir John Hurt). Led by the brilliant Irina Spalko (Cate Blanchett), the Soviets tail Jones and the young man, Mutt Williams (Shia LeBeouf), to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well. But if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past, Marion Ravenwood (Karen Allen), to face the dangers of the jungle, Russia, and the supernatural. Written by In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known...