Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Etruscan mythology comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, originating in the 7th century BC from the preceding Iron Age Villanovan culture, with its influences in the mythology of ancient Greece and Phoenicia, and sharing similarities with concurrent Roman mythology.

The Etruscan civilization existed in ancient Italy from around the 8th century BCE to the 3rd century BCE, and its myths and religious beliefs have been largely lost to time. However, some of the myths that have been reconstructed from the surviving evidence include:Famous Myths of Etruscan Mythology

• The myth of Tages

  Tages was a child-god who emerged from the plowed fields and taught the Etruscans divination and the art of reading the will of the gods.

• The myth of Charun

  Charun was the Etruscan god of death, and was often depicted as a fearsome figure with a hammer, ready to strike the souls of the dead.

• The myth of Turms

  Turms was the Etruscan equivalent of Hermes, the Greek messenger of the gods. He was known for his speed and agility and was often depicted with winged sandals.

• The myth of Menrva

  Menrva was the Etruscan goddess of wisdom, war, and the arts. She was often equated with the Greek Athena and the Roman Minerva.

• The myth of Laran

  Laran was the Etruscan god of war, and was often depicted as a fierce warrior, ready to defend his people.

Japanese mythology encompasses the folk traditions of Japan and the Shinto religion. It is a collection of stories, beliefs, and customs that have been passed down through generations. The stories often revolve around the creation of the world, the deeds of the gods and goddesses, and the lives of heroes and monsters.

Famous Myths of Japanese Mythology

• The myth of the creation of Japan

  According to Japanese mythology, the god Izanagi and goddess Izanami were responsible for the creation of the Japanese islands. They stood on the bridge between heaven and earth and dipped a spear into the water, creating the first island of Onogoro.

• The myth of Amaterasu

  Amaterasu is the goddess of the sun and the ancestor of the Imperial Family of Japan. She is said to have been offended by her brother's behavior and retreated into a cave, causing the world to become dark. Her eventual return to the world brought light and warmth back to the land.

• The myth of Susano-o

  Susano-o is the god of sea and storms, as well as brother of Amaterasu. He is known for his reckless and impulsive behavior, which often causes trouble for the other gods.

• The myth of the eight-headed serpent, Yamata no Orochi

  Yamata no Orochi is a giant serpent with eight heads and eight tails, who terrorized an ancient province in Japan. He was eventually defeated by the god Susano-o, who saved a maiden and her brothers from the serpent's attacks.

• The myth of the Tengu

  Tengu are supernatural creatures that are half-human

  Somali Mythology

  Somali mythology covers the beliefs, myths, legends and folk tales circulating in Somali

  

  Somali Mythology

  Somali mythology covers the beliefs, myths, legends and folk tales circulating in Somali society that were passed down to new generations in a timeline spanning several millennia.

  Somali mythology includes a diverse set of stories and legends that reflect the culture and beliefs of the Somali people. Here are a few examples of famous myths from Somali mythology:

  The Creation Myth

  The Somali believe that the world was created by God (Waaq), who created the first human beings, the first animals, and the first plants.

  The Myth of the First Woman

  According to Somali legend, the first woman, named Hawo, was created from a rib taken from the first man, named Adaan.

  The Myth of the First Fire

  The Somali believe that fire was brought to earth by a bird named Shimbir, who stole it from the gods and gave it to humans.

  The Myth of the First Ancestor

  The Somali believe that the first ancestor, named Samaale, was the progenitor of all Somali clans.

  The Myth of the First Death

  The Somali believe that death was brought to the world by a god named Ebla, who punished humans for their disobedience.

  The Myth of the First Rain

  The Somali believe that the first rain was brought to the world by a god named Ebla, who punished humans for their disobedience.

  Please note that these are just a few examples and there are many more myths and legends that are important to the Somali people, as Somali mythology is vast and diverse. Also, It's worth mentioning that a lot of the oral tradition was lost through the years.

  Norse Mythology

  Norse mythology is the body of myths of the North Germanic peoples, stemming from Norse paganism

  

  Norse mythology is the body of myths of the North Germanic peoples, stemming from Norse paganism and continuing after the Christianization of Scandinavia, and into the Scandinavian folklore of the modern period.

  Norse mythology is the traditional belief system of the people of Scandinavia, which includes the myths, legends, and religious beliefs of the ancient Norse. Here are a few examples of famous myths from Norse mythology:

  • The story of the creation of the world: According to Norse mythology, the world was created by the god, Odin, Vili and Ve. They created the world from the body of the giant Ymir.
  • The story of Thor: Thor is the god of thunder and is known for his strength and courage. He is often depicted as a fierce warrior, wielding a powerful hammer.
  • The story of Odin: Odin is the chief of the gods and is known as the All-Father. He is the god of wisdom, poetry, and war, and is often depicted as a one-eyed old man.
  • The story of Loki: Loki is the trickster god of Norse mythology and is known for his cunning and wit. He is often depicted as a shape-shifter and is considered a bringer of chaos and mischief.
  • The story of Ragnarok: Ragnarok is the end of the world in Norse mythology, where gods, giants and monsters will fight in a great battle that will ultimately lead to the death of many gods and the destruction of the world.

  These myths, along with others, are used by the Norse people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Norse mythology is polytheistic, with a pantheon of gods and goddesses, and it was an important aspect of the Norse religion.

  Slavic Mythology

  Perun is undoubtedly the highest god of the Slavic Pantheon.

  

  Slavic paganism or Slavic religion define the religious beliefs, godlores and ritual practices of the Slavs before the formal Christianisation of their ruling elites.

  Famous Myths of Slavic Mythology

  • The myth of Perun

    Perun is the god of thunder and lightning in Slavic mythology, he is often seen as the chief deity and protector of the tribe.

  • The myth of Veles

    Veles is the god of earth, waters, and the underworld in Slavic mythology, he is often associated with the power of magic and witchcraft.

  • The myth of Svarog

    Svarog is the god of fire, metalworking and fate in Slavic mythology, he was considered as the father of the gods and the creator of the world.

  • The myth of Dazhbog

    Dazhbog is the god of the sun, warmth and light in Slavic mythology, he was often associated with the power of fertility and agriculture.

  • The myth of Baba Yaga

    Baba Yaga is a witch-like figure in Slavic mythology, known for her supernatural powers and her ability to fly. She is sometimes seen as a helpful figure, while other times she is seen as a malevolent force.

  • The myth of Kostroma

    Kostroma is a goddess of fertility and love in Slavic mythology, she was often associated with the power of spring and renewal.

In Greek mythology, Odysseus was the son of Laertes and Antikleia (or Anticlea) and the King of Ithaca, leader of the Kephallenians. Married to Penelope, he also had a son, Telemachos (or Telemachus). The hero was also fortunate enough to regularly receive the special aid and protection of the goddess Athena.

Gibica (also known as Gjúki, Giuki, or Gibicho) is a figure from Norse mythology, prominently featured in the Völsunga saga and in the Nibelungenlied, a Middle High German epic poem. In these sagas, he is portrayed as a king and the father of a significant family. In the Völsunga saga, a key source of Norse myth and legend, Gibica is known as Gjúki. He is the husband of Grimhild and the father of Gunnar (or Günther), Högni, Gudrun (Kriemhild in the Nibelungenlied), and Guttorm. His family, the Gjúkings, play a central role in the later parts of the saga, which intertwine with the legend of Sigurd (or Siegfried) – the dragon-slayer hero central to both Norse and Germanic legend. Gunnar, one of Gibica/Gjúki's sons, is a particularly important character. He is known for his involvement with Sigurd and Brynhildr, a valkyrie, which forms one of the central and tragic narratives of the Völsunga saga and the Nibelungenlied. In these tales, Sigurd marries Gudrun, and Gunnar seeks to marry Brynhildr. The story is complex and involves deception, broken promises, and eventual tragedy, leading to the deaths of several main characters, including Sigurd and Brynhildr. In the Nibelungenlied, Gibich is the name used for the character, and the story follows a similar but not identical course to the Norse sagas. The Nibelungenlied is more centered on the character of Kriemhild (Gudrun in the Norse sagas) and her quest for revenge against those who betrayed her husband Siegfried. The character of Gibica/Gjúki/Gibich is thus an integral part of the background and context for these rich and complex legendary cycles that were incredibly influential in both Norse and Germanic literature and culture.

A legendary Etruscan king known for his wars with Rome, featured in Roman and Etruscan folklore.

Mythical fairy-like beings in Persian folklore, often depicted as beautiful winged creatures. Associated with beauty and magic.

In Greek mythology, Alcyoneus or Alkyoneus (/ælˈsaɪəˌnuːs/; Ancient Greek: Ἀλκυονεύς Alkuoneus) was a traditional opponent of the hero Heracles. He was usually considered to be one of the Gigantes (Giants), the offspring of Gaia born from the blood of the castrated Uranus.

Erechtheus was a king of Athens in Greek mythology. He was one of the first kings of the city, and from his name derived the word Erechtheidae, meaning the sons of Erechtheus, which was used to denote an Athenian. His name was also used as an epithet for the god Poseidon, as "Poseidon Erechtheus".

Surya (or Soorya) is a golden warrior arriving on a chariot pulled by seven white horses.

Mythical bird in Persian culture, symbolizing purity and fortune. Believed to bring good luck and prosperity.

He it was who men and their labors from the wild forces of nature, personified as Giants. Thus he held sway in certain Northern regions over air and climate, over rain and harvest. 2 As the god of fertility, however, he had to divide his rule with the gods of the Vanir; but thunder and lightning always were the special province of Thor, who according to the Norse myths was constantly engaged in battle against the Giants. He rode in a chariot which, as it rolled along, produced thunder. 1 The chariot was drawn by two goats, Tanngnjost 2 and Tanngrisni; 3 these goats Thor could kill and eat and bring to life once more provided all the bones are gathered up in the hides. Because Thor usually drove these goats, he was called Riding-Thor; 4 he had other names as well, such as Ving-Thor, Lorridi, Einridi

The son of Pandrosos and Hermes, and the ancestor of the Keryces of Eleusis (see CERYX, 2). Herse (or Erse) was mother, by Hermes, of the beautiful Cephalus (See CEPHALUS). She had a special festival in her honour, the Arrhephoria (see ARREPHORIA). Agraulos, mother of Alcippe, by Ares, was said in one story to have thrown herself down from the citadel during a war to save her country. It was, accordingly, in her precincts on the Acropolis that the young men of Athens, when they received their spears and shields, took their oath to defend their country to the death, invoking her name with those of the Charities Auxo and Hegemone. According to another story, Athene entrusted Erichthonius to the keeping of the three sisters in a closed chest, with the command that they were not to open it. Agraulos and Herse disobeyed, went mad, and threw themselves down from the rocks of the citadel.

Goddess of the hunt, wilderness, and childbirth. Associated with the moon, nature, and wild animals.

Arngrim was a berserker, who figures in Hervarar saga, Gesta Danorum, Lay of Hyndla, a number of Faroese ballads and Orvar-Odd's saga in Norse mythology.

It is the year 1250 B.C. during the late Bronze age. Two emerging nations begin to clash after Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband, Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. So they set off with 1,000 ships holding 50,000 Greeks to Troy. With the help of Achilles, the Greeks are able to fight the never before defeated Trojans. But they come to a stop by Hector, Prince of Troy. The whole movie shows their battle struggles and the foreshadowing of fate in this remake by Wolfgang Petersen of Homer's "The Iliad." Written by Mensur Gjonbalaj An adaptation of Homer's great epic, the film follows the assault on Troy by the united Greek forces and chronicles the fates of the men involved.

After retrieving the Crystal Skull in Utah, Flynn Carsen receives a map in the mail with the secret location of King Solomon's Mines. When the scroll is stolen, Judson explains the power of the Key of Solomon's book and assigns Flynn to retrieve the map. The map is useless without the legend piece to decipher it, which is located in Volubilis near the Roman ruins in Morocco. Flynn heads to Casablanca to the ruins where he is chased by a group of mercenaries leaded by General Samir. They too want to find the location of King Solomon's mines. Flynn teams-up with Professor Emily Davenport working in the dig and they escape from General Samir and his men. While traveling to Gedi, they save the local Jomo from death and the trio faces a dangerous journey through the wild Africa. Written by Claudio Carvalho, Rio de Janeiro, Brazil Librarian-turned-adventurer Flynn Carsen endeavors to find King Solomon's mines.

Thor (Chris Hemsworth) is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarök, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela (Cate Blanchett). Written by ahmetkozan Imprisoned on the planet Sakaar, Thor must race against time to return to Asgard and stop Ragnarök, the destruction of his world, at the hands of the powerful and ruthless villain Hela.

Timeline is based on Medieval mythology. The film follows a group of scientists as they travel back in time to 14th century France in order to save a friend. Along the way they face danger and discover the power of faith. A group of archaeologists and combat experts led by Paul Walker and Frances O'Connor use a "3-D fax machine" (so much for technobabble!) to time-travel back to France in 1357, in hopes of retrieving Walker's father and returning safely to the present. No such luck. Fending for themselves against marauding hordes of medieval French warriors at war with the invading British, these semi-intrepid travelers find their body count rising, and the deadline for their return home is rapidly approaching. Written by Anthony Pereyra {hypersonic91@yahoo.com} A group of archaeologists become trapped in the past when they go there to retrieve a friend. The group must survive in 14th century France before they can escape back to the 21st Century.

Thousands of years ago, the great Child King Tutankhamen ruled. Few know the details of his life no one knows the secrets of his death. But all is about to change. In 1922 Cairo, free-spirited archaeologist Danny Fremont is certain that if found, King Tut's Emerald Tablet would hold the ultimate power to control the world. But unfortunately, the only person who believes Fremont is his ruthless archaeologist nemesis Morgan Sinclair, a member of a secret society who wants the tablet to harness unspeakable evil on the world and will stop at nothing to get it and then extend their world domination. But with the help of a crackerjack team adventurers that includes the doubting egyptologist Dr. Azelia Barakat, Fremont ventures through the Valley of the Kings, toward Tut's tomb, near the portal to the underworld, and getting closer to the truth behind a mystery that will change the world forever or end it. Written by Anthony Pereyra {hypersonic91@yahoo.com} Thousands of years ago, the great Child King Tutankhamen ruled. Few know the details of his life no one knows the secrets of his death. But all is about to change. In 1922 Cairo,...