Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

The Lugbara people are an ethnic group living in the Democratic Republic of the Congo, Uganda, and South Sudan. They have a rich mythology that has been passed down through generations, and their stories are a source of pride and identity for the Lugbara people.

The Lugbara people believe in a single creator, called Woot, who is responsible for the creation of the world and all its inhabitants. They also believe in a pantheon of lesser gods, each with their own sphere of influence. For example, Nyambe is the god of rain, and there is also a god of war, a god of the hunt, and a god of love.

The Lugbara people also believe in a number of supernatural beings, such as spirits and ghosts. These beings can be benevolent or malevolent, and they often take the form of animals or other creatures. It is believed that these beings can influence the lives of humans, either for good or for ill.

The Lugbara people have a number of stories and legends about their gods and supernatural creatures. One of the most famous is the story of Nyambe and the Great Snake. According to the story, Nyambe was out hunting one day when he encountered a giant snake. Nyambe managed to defeat the snake, and as a reward, the gods gave him the power to control the weather and the seasons.

The stories and legends of the Lugbara people are an important part of their culture, and they are still told and retold to this day. They provide a fascinating insight into the beliefs and values of the Lugbara people, and offer a unique window into their history and mythology.

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. Finnish mythology is the traditional belief system of the Finnish people, and it is closely related to the mythology of other Finno-Ugric peoples such as the Estonians and the Hungarians. Here are a few examples of famous myths from Finnish mythology:

The story of the creation of the world: According to Finnish mythology, the world was created by Ilmatar, a primal goddess of the air and the sky.

The story of Väinämöinen: Väinämöinen is a powerful and wise sorcerer in Finnish mythology, who is considered as one of the main characters of the Kalevala, a traditional epic poem of Finland. He is known for his wisdom and his role as a culture hero.

The story of Kullervo: Kullervo is a tragic hero of the Finnish mythology and is considered as one of the main characters of the Kalevala. He is known for his misfortune, his tragic fate and his power.

The story of Joukahainen: Joukahainen is a rival of Väinämöinen in the Kalevala, who is known for his arrogance and his defeat by Väinämöinen

The story of Lemminkäinen: Lemminkäinen is another character of the Kalevala, known for his romantic adventures and his quest to win the hand of the Maiden of the North.

These myths, along with others, are used by the Finnish people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Finnish traditional religion was a mixture of animism, nature worship, and ancestor worship.

Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

Norse mythology is the body of myths of the North Germanic peoples, stemming from Norse paganism and continuing after the Christianization of Scandinavia, and into the Scandinavian folklore of the modern period.

Norse mythology is the traditional belief system of the people of Scandinavia, which includes the myths, legends, and religious beliefs of the ancient Norse. Here are a few examples of famous myths from Norse mythology:

• The story of the creation of the world: According to Norse mythology, the world was created by the god, Odin, Vili and Ve. They created the world from the body of the giant Ymir.
• The story of Thor: Thor is the god of thunder and is known for his strength and courage. He is often depicted as a fierce warrior, wielding a powerful hammer.
• The story of Odin: Odin is the chief of the gods and is known as the All-Father. He is the god of wisdom, poetry, and war, and is often depicted as a one-eyed old man.
• The story of Loki: Loki is the trickster god of Norse mythology and is known for his cunning and wit. He is often depicted as a shape-shifter and is considered a bringer of chaos and mischief.
• The story of Ragnarok: Ragnarok is the end of the world in Norse mythology, where gods, giants and monsters will fight in a great battle that will ultimately lead to the death of many gods and the destruction of the world.

These myths, along with others, are used by the Norse people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Norse mythology is polytheistic, with a pantheon of gods and goddesses, and it was an important aspect of the Norse religion.

n contrast to the brooding aspects of Morrigan, Brigid, in pre-Christianity Ireland, was regarded as the Celtic goddess of healing, spring season, and even smithcraft. In the mythical narrative, she is the daughter of the Dagda and thus a member of the Tuatha Dé Danann. Curiously enough, in Lebor Gabála Ãrenn (The Book of the Taking of Ireland collection of poems compiled in the 11th century AD), she is mentioned to have a quite a few domesticated animals, ranging from oxen, the king of boars, to sheep – and these critters used to cry out as a warning to the goddess.

A heroic figure in Bantu mythology, known for his adventures and battles against supernatural forces to protect his people.

BjÃrn Ironside was a historical Norse Viking chief and Scandinavian king. According to the 12th- and 13th-century Scandinavian histories, he was the son of the notorious Viking king Ragnar Lodbrok and himself a legendary king of Sweden. He lived in the 9th century, being securely dated between 855 and 858.BjÃrn Ironside is said to have been the first ruler of the Swedish Munsà dynasty. In the early 18th century, a barrow on the island of Munsà was claimed by antiquarians to be BjÃrn Järnsidas hÃg or BjÃrn Ironside's barrow. Medieval sources refer to BjÃrn Ironside's potential sons and grandsons, including Erik BjÃrnsson and BjÃrn at Haugi. His descendants in the male line supposedly ruled over the Swedes until c. 1060.

In Greek mythology, Electryone (Ancient Greek: Ἠλεκτρυώνην) or Alectrona (Doric form) was a daughter of Helios and Rhodos, and sister to the Heliadae. She died a virgin and was worshipped as a heroine on the island of Rhodes. She was possibly a goddess of the sunrise, or of man's waking sense.

A malevolent deity associated with chaos and destruction, often depicted as a monstrous figure.

A deity in Bantu mythology, associated with rain, water, and fertility, worshipped for agricultural abundance and protection against drought.

In Greek mythology, Agamemnon was a king of Mycenae, the son of King Atreus and Queen Aerope of Mycenae, the brother of Menelaus, the husband of Clytemnestra and the father of Iphigenia, Electra or Laodike, Orestes and Chrysothemis.

In Greek mythology, Eunostus or Eunostos was a goddess whose image was set up in mills, and who was believed to keep watch over the just weight of flour. Promylaia ("the one that stands before/protects the mill") was another name for a goddess of the mills, who was worshipped in the same fashion as Eunostus.

Tyr, Odin's son with the daughter 2 of the Giant Hymir, is bold and courageous; men call upon him in battle, and he gives them courage and heroism. Therefore Tyr is the true god of war; he takes pleasure in bringing about strife, and he does nothing whatever for the promotion of concord. Captains and princes are designated after him, Kinsmen of Tyr. No small number of places in the North (mostly in Denmark) commemorate his name; and yet, few traditions connected with him have survived. He has but one hand; the other was bitten off by the Fenris Wolf.

A surname of Apollo, under which he was worshiped, and had a temple at Pyrrhichus in Laconia. The name was derived either from the belief that the Amazons had penetrated into the Peloponnese as far as Pyrrhichus, or that they had founded the temple there. He was represented by a wooden image, dedicated by the women from Thermodon.

Counted among the oldest of the ancient Celtic gods in Ireland, Ana (also known as Anu, Dana, Danu, and Annan) possibly embodied the primordial scope, with her epithets describing her as a mother goddess. Thus the Celtic goddess, often portrayed as a beautiful and mature woman, was associated with nature and the spiritual essence of nature, while also representing the contrasting (yet cyclic) aspects of prosperity, wisdom, death, and regeneration.

Arngrim was a berserker, who figures in Hervarar saga, Gesta Danorum, Lay of Hyndla, a number of Faroese ballads and Orvar-Odd's saga in Norse mythology.

On a quest to retrieve the fabled Golden Fleece, Jason and the Argonauts arrive at a remote barbarian land where the natives worship the sacred artefact to protect the crops. But, unexpectedly, as Medea--a beautiful high priestess and the land's powerful sorceress--betrays her beliefs to follow Jason back to Greece, a cruel fate awaits her. As a result, deserted and banished by the king, it's only human that Medea plots her furious revenge. Can they escape her wrath? Written by Nick Riganas After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her...

After retrieving the Crystal Skull in Utah, Flynn Carsen receives a map in the mail with the secret location of King Solomon's Mines. When the scroll is stolen, Judson explains the power of the Key of Solomon's book and assigns Flynn to retrieve the map. The map is useless without the legend piece to decipher it, which is located in Volubilis near the Roman ruins in Morocco. Flynn heads to Casablanca to the ruins where he is chased by a group of mercenaries leaded by General Samir. They too want to find the location of King Solomon's mines. Flynn teams-up with Professor Emily Davenport working in the dig and they escape from General Samir and his men. While traveling to Gedi, they save the local Jomo from death and the trio faces a dangerous journey through the wild Africa. Written by Claudio Carvalho, Rio de Janeiro, Brazil Librarian-turned-adventurer Flynn Carsen endeavors to find King Solomon's mines.

Perseus is the favored son of the god Zeus, but he has unwittingly ticked off the sea goddess Thetis. Just to make things worse, Perseus falls in love with the lovely Princess Andromeda, who used to be engaged to Thetis' son. Soon Perseus is off on one quest after another, with Zeus helping, Thetis hindering, and lots of innocent bystanders getting stabbed, drowned, and squished. Written by Anthony Pereyra {hypersonic91@yahoo.com} Perseus must battle Medusa and the Kraken to save the Princess Andromeda.

In Ancient Greece 1200 B.C., a queen succumbs to the lust of Zeus to bear a son promised to overthrow the tyrannical rule of the king and restore peace to a land in hardship. But this prince, Hercules, knows nothing of his real identity or his destiny. He desires only one thing: the love of Hebe, Princess of Crete, who has been promised to his own brother. When Hercules learns of his greater purpose, he must choose: to flee with his true love or to fulfill his destiny and become the true hero of his time. The story behind one of the greatest myths is revealed in this action-packed epic - a tale of love, sacrifice and the strength of the human spirit. Written by Millennium Entertainment The origin story of the mythical Greek hero. Betrayed by his stepfather, the King, and exiled and sold into slavery because of a forbidden love, Hercules must use his formidable powers to...

Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from Director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbolized from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the...