Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

Etruscan mythology comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, originating in the 7th century BC from the preceding Iron Age Villanovan culture, with its influences in the mythology of ancient Greece and Phoenicia, and sharing similarities with concurrent Roman mythology.

The Etruscan civilization existed in ancient Italy from around the 8th century BCE to the 3rd century BCE, and its myths and religious beliefs have been largely lost to time. However, some of the myths that have been reconstructed from the surviving evidence include:Famous Myths of Etruscan Mythology

• The myth of Tages

  Tages was a child-god who emerged from the plowed fields and taught the Etruscans divination and the art of reading the will of the gods.

• The myth of Charun

  Charun was the Etruscan god of death, and was often depicted as a fearsome figure with a hammer, ready to strike the souls of the dead.

• The myth of Turms

  Turms was the Etruscan equivalent of Hermes, the Greek messenger of the gods. He was known for his speed and agility and was often depicted with winged sandals.

• The myth of Menrva

  Menrva was the Etruscan goddess of wisdom, war, and the arts. She was often equated with the Greek Athena and the Roman Minerva.

• The myth of Laran

  Laran was the Etruscan god of war, and was often depicted as a fierce warrior, ready to defend his people.

Slavic paganism or Slavic religion define the religious beliefs, godlores and ritual practices of the Slavs before the formal Christianisation of their ruling elites.

Famous Myths of Slavic Mythology

• The myth of Perun

  Perun is the god of thunder and lightning in Slavic mythology, he is often seen as the chief deity and protector of the tribe.

• The myth of Veles

  Veles is the god of earth, waters, and the underworld in Slavic mythology, he is often associated with the power of magic and witchcraft.

• The myth of Svarog

  Svarog is the god of fire, metalworking and fate in Slavic mythology, he was considered as the father of the gods and the creator of the world.

• The myth of Dazhbog

  Dazhbog is the god of the sun, warmth and light in Slavic mythology, he was often associated with the power of fertility and agriculture.

• The myth of Baba Yaga

  Baba Yaga is a witch-like figure in Slavic mythology, known for her supernatural powers and her ability to fly. She is sometimes seen as a helpful figure, while other times she is seen as a malevolent force.

• The myth of Kostroma

  Kostroma is a goddess of fertility and love in Slavic mythology, she was often associated with the power of spring and renewal.

The Kamba or Akamba people are a Bantu ethnic group - or tribe - who live in the semi-arid formerly Eastern Province of Kenya stretching east from Nairobi to Tsavo and north up to Embu, Kenya.

The Akamba people, who live in Kenya, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Akamba mythology:

The creation myth:

The Akamba believe that the world was created by a god named Mulungu, who formed the earth and sky, the sun and moon, and all living things.

The myth of the first woman:

According to Akamba legend, the first woman, named Wambui, was created from a rib taken from the first man, named Kintu.

The myth of the first fire:

The Akamba believe that fire was brought to earth by a bird named Kibokolo, who stole it from the gods and gave it to humans.

The myth of the first fruit trees:

The Akamba believe that the first fruit trees were created by a goddess named Nzambi, who planted them in the garden of the first man and woman.

The myth of the first death:

The Akamba believe that death was brought to the world by a god named Kibuka, who punished humans for their disobedience.

The myth of the first rain:

The Akamba believe that the first rain was brought to the world by a god named Kibuka, who punished humans for their disobedience.

Please note that this is just a small sample of the Akamba mythology stories, and there are many more myths and legends that are important to the Akamba people.

Akan mythology is the traditional belief system of the Akan people of Ghana and Cote d'Ivoire. Here are a few examples of famous myths from Akan mythology:

The story of Nyame

Nyame is the supreme god in Akan mythology and is believed to be the creator of the universe. He is often depicted as an old man with a white beard and is associated with wisdom, justice and the sky.

The story of Onyame and Asase Ya

Onyame is the god of the sky and the father of all gods and Asase Ya is the goddess of the earth and the mother of all living things. Together they are the parents of the other gods and goddesses in the Akan pantheon.

The story of Anansi

Anansi is a trickster figure in Akan mythology and is known for his cunning and wit. He is often depicted as a spider and is considered a bringer of wisdom and culture to the Akan people.

The story of Odomankoma

Odomankoma is the god of fate and destiny, who controls the fate of individuals, and also the god of wisdom, who is responsible for the knowledge and skills of the Akan people.

The story of Osrane

Osrane is the god of death and the afterlife. He is responsible for taking the souls of the dead to the afterlife.

These myths, along with others, are used by the Akan people to explain the origins of the world, the customs and traditions of the Akan people and to reinforce their traditional beliefs and values. The Akan people's traditional religion is based on ancestor worship, and the belief in a supreme being who created the universe.

God of the underworld and the afterlife who was killed and resurrected

A supernatural being depicted as a witch who lives in a hut that stands on chicken legs, known for her wisdom and ambiguity.

In Greek mythology, Alcyoneus or Alkyoneus (/ælˈsaɪəˌnuːs/; Ancient Greek: Ἀλκυονεύς Alkuoneus) was a traditional opponent of the hero Heracles. He was usually considered to be one of the Gigantes (Giants), the offspring of Gaia born from the blood of the castrated Uranus.

In Greek mythology, Achilles or Achilleus was a hero of the Trojan War, the greatest of all the Greek warriors, and is the central character of Homer's Iliad. He was the son of the Nereid Thetis and Peleus, king of Phthia.

One of the most ancient and most widely worshiped of Celtic gods – who was venerated in Continental Europe, Britain and Ireland, Belenus (also known as Belenos, Bel, and Beli Mawr) was the quintessential sun god in the Celtic mythology. Known by his epithet ‘Fair Shining One’, Belenus was also associated with the horse and the wheel – and their composites tended to portray him as the effulgent Sun God gloriously riding across the sky in his horse-drawn chariot. Other representations depict Belenus as only riding his horse while throwing thunderbolts and using the wheel as his shield.

Goddess of flood control and rivers, also associated with the sun

In Greek mythology, Acrisius was the king of Argos, son of Abas and Aglaea and twin brother of Proetus. When their father died, Acrisius slyly possessed all of the inheritance and expelled his brother. However, assisted by his father – in – law Iobates, Proetus managed to take his share of the kingdom and became the ruler of the city of Tiryns

God of thunder, sometimes depicted with a drum in one hand and hammer in the other

In Greek mythology, Hyacinth was a very beautiful Spartan prince and lover of the god Apollo. Hyacinth was also admired by the West wind Zephyrus, the North wind Boreas and also by a mortal man named Thamyris. ... The couple indulged themselves in hunting and climbing steep, rough mountains around Sparta.

In Greek mythology, Euphorbus (Ancient Greek: or Euforbo) was a Trojan hero during the Trojan War.

A deity in Bantu mythology, associated with rain, water, and fertility, worshipped for agricultural abundance and protection against drought.

Vishnu is the second member of the Hindu Trinity. He maintains the order and harmony of the universe, which is periodically created by Brahma and periodically destroyed by Shiva to prepare for the next creation. Vishnu is worshipped in many forms and in several avatars (incarnations). Vishnu is an important, somewhat mysterious god. Less visible than nature gods that preside over elements (such as fire and rain), Vishnu is the pervader — the divine essence that pervades the universe. He is usually worshipped in the form of an avatar (see below).

In this retelling of Rick Riordans book, "The Sea of Monsters", Percy Jackson, accompanied by his friends Annabeth Chase, Clarisse La Rue and Tyson, his half brother, goes on a journey to the Sea of Monsters to retrieve the Golden Fleece and save Camp Half-Blood. Written by Michelle Stone In order to restore their dying safe haven, the son of Poseidon and his friends embark on a quest to the Sea of Monsters, to find the mythical Golden Fleece, all the while trying to stop an...

Centuries ago, the evil Emperor Han was cursed by the sorceress Zi Yuan who transformed him and his army into mummies. In 1946, the explorer Rick O'Connell and his wife Evelyn O'Connell are invited by the British government to take a relic, the diamond "The Eye of Shangri-La" to China. The ancient stone is capable of resurrecting the Emperor Han and of pointing the way to Shangri-La and the eternal pool of life. When the couple reaches China, they meet their son Alex O'Connell, who has discovered the tomb of Han, and Evelyn's brother Jonathan Carnahan. The O'Connells are betrayed by their friend Prof. Roger Wilson, who is associated with General Yang. Yang wants to serve Emperor Han, so he resurrects the mummy and they head for Shangri-La. The guardian of Han's tomb (and Zi's daughter) Lin tells them that the only ways to destroy Han are to prevent him from reaching Shangri-La or by stabbing his heart with a cursed dagger. Written by Claudio Carvalho, Rio de Janeiro, Brazil In the Far East, Alex O'Connell, the son of famed mummy fighters Rick and Evy O'Connell, unearths the mummy of the first Emperor of Qin -- a shape-shifting entity cursed by a witch centuries...

Off the coast of the volcanic island of Santorini, the intrepid archaeologist, Lara Croft, makes the unexpected discovery of a throbbing golden orb able to guide its holder to the mythical Pandora's Box. As the legendary artefact contains ancient mysteries of unfathomable power, Lara needs to make sure it doesn't fall into the wrong hands, especially the unscrupulous former Nobel Prize winner and now a bio-weapons dealer, Jonathan Reiss. With the aid of the former agent, Terry Sheridan, the fearless adventurer travels the world in pursuit of the precious item; however, can she retrieve it in time to save the day? Written by Nick Riganas Adventurer Lara Croft goes on a quest to save the mythical Pandora's Box, before an evil scientist finds it, and recruits a former Marine turned mercenary to assist her.

An Inca legend says the Inca Empire was destroyed by the gods when a gold and jeweled star burst was stolen from the Temple of the Sun centuries ago, and the ancient civilization will spring anew when the treasure is returned. The natives want it but so does Harry Steele, an American adventurer of slightly-shady ways who wants it for personal gain, as does his adversary, a grizzled old man even more into skulduggery than Steele. The latter teams up with Elena Antonescu, an Iron Curtain refugee fleeing from the MKVD. She can help him get a plane and he can help her escape Peru for the relative safety of Mexico.Is there a chance they will end up in a bickering love-hate relationship?... Is there a chance an American archaeologist, Dr. Stanley Moorehead, will come along as one corner of a romantic triangle?... Is there a chance that Yma Sumac (billed third on the posters and ads and special billed in the film), who can't act but can sing, will sing a few songs?... Is there a chance that these trite-sounding questions will develop into a film that is far from trite and vastly entertaining? Dang right, there is. Check it out. Written by Les Adams An adventurer searchers for hidden treasure in the Peruvian jungles.

Thousands of years ago, the great Child King Tutankhamen ruled. Few know the details of his life no one knows the secrets of his death. But all is about to change. In 1922 Cairo, free-spirited archaeologist Danny Fremont is certain that if found, King Tut's Emerald Tablet would hold the ultimate power to control the world. But unfortunately, the only person who believes Fremont is his ruthless archaeologist nemesis Morgan Sinclair, a member of a secret society who wants the tablet to harness unspeakable evil on the world and will stop at nothing to get it and then extend their world domination. But with the help of a crackerjack team adventurers that includes the doubting egyptologist Dr. Azelia Barakat, Fremont ventures through the Valley of the Kings, toward Tut's tomb, near the portal to the underworld, and getting closer to the truth behind a mystery that will change the world forever or end it. Written by Anthony Pereyra {hypersonic91@yahoo.com} Thousands of years ago, the great Child King Tutankhamen ruled. Few know the details of his life no one knows the secrets of his death. But all is about to change. In 1922 Cairo,...