Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

The Bushongo or Songora are an ethnic group from the Congo River and surrounding areas. The creation god(or chembe) in Bushongo mythology is called Bumba.

The Bushongo people, who live in what is now the Democratic Republic of Congo, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bushongo mythology:

The creation myth:

The Bushongo believe that the world was created by a god named Mbidi Kiluwe, who formed the earth, sky, and all living things.

The myth of the first man:

According to Bushongo legend, the first man, named Kondi, was created by Mbidi Kiluwe and was given the task of populating the world.

The myth of the first woman:

The Bushongo believe that the first woman, named Luba, was created by Mbidi Kiluwe and was given the task of helping Kondi to populate the world.

The myth of the first fire:

The Bushongo believe that fire was brought to earth by a god named Lumona, who gave it to humans as a gift.

The myth of the first death:

The Bushongo believe that death was brought to the world by a god named Cagn, who punished humans for their disobedience.

The myth of the first rain:

The Bushongo believe that the first rain was brought to the world by a god named Cagn, who punished humans for their disobedience.

Please note that this is just a small sample of the Bushongo mythology stories, and there are many more myths and legends that are important to the Bushongo people.

Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from c. 1600 BC to 1180 BC.

Hittite mythology

Hittite mythology is the set of myths and religious beliefs of the ancient Hittites, an Indo-European people who lived in Anatolia (modern-day Turkey) from around 1600 BCE to 1200 BCE. Some of the most famous myths of Hittite mythology include:

• The story of Kumarbi

  This is the Hittite version of the "cosmogonic cycle" which tells the story of the god Kumarbi, who overthrows his father Anu and becomes the ruler of the gods. Kumarbi also impregnates the mother goddess and gives birth to the storm god Teshub and other deities.

• The story of Teshub and the dragon

  The god Teshub fought and defeated the dragon Illuyanka, a symbol of chaos and destructive forces.

• The story of Telipinu

  This is the story of the god Telipinu, who is responsible for the fertility of the land and the well-being of the people. Telipinu goes into a rage and causes a drought, but he is eventually placated and returns to bring fertility back to the land.

• The story of the Sun-goddess of Arinna

  This is the story of the Sun-goddess of Arinna, one of the most important deities of the Hittite pantheon. She is the goddess of the sun, and her daily journey across the sky was seen as a representation of the cycle of life and death.

• The story of the god of the underworld

  The god of the underworld, known as Allani or "the god of the land of the dead" is an important figure in Hittite mythology. He is responsible for the afterlife and the fate of the souls of the dead.

These myths were an important part of Hittite religion and were often depicted in art and referenced in religious texts and rituals. They played a significant role in shaping the beliefs and worldview of the Hittite people. The Hittite myths were passed down through oral tradition, and many of them were recorded in the Hittite language on clay tablets. They are still studied today for their historical and cultural significance.

Somali Mythology

Somali mythology covers the beliefs, myths, legends and folk tales circulating in Somali society that were passed down to new generations in a timeline spanning several millennia.

Somali mythology includes a diverse set of stories and legends that reflect the culture and beliefs of the Somali people. Here are a few examples of famous myths from Somali mythology:

The Creation Myth

The Somali believe that the world was created by God (Waaq), who created the first human beings, the first animals, and the first plants.

The Myth of the First Woman

According to Somali legend, the first woman, named Hawo, was created from a rib taken from the first man, named Adaan.

The Myth of the First Fire

The Somali believe that fire was brought to earth by a bird named Shimbir, who stole it from the gods and gave it to humans.

The Myth of the First Ancestor

The Somali believe that the first ancestor, named Samaale, was the progenitor of all Somali clans.

The Myth of the First Death

The Somali believe that death was brought to the world by a god named Ebla, who punished humans for their disobedience.

The Myth of the First Rain

The Somali believe that the first rain was brought to the world by a god named Ebla, who punished humans for their disobedience.

Please note that these are just a few examples and there are many more myths and legends that are important to the Somali people, as Somali mythology is vast and diverse. Also, It's worth mentioning that a lot of the oral tradition was lost through the years.

The Traditional Religion and Mythology of the San People

The Khoikhoi people, also known as the Khoisan, are a group of indigenous people who live in southern Africa. They have a rich and diverse mythology that reflects their culture and beliefs. Here are a few examples of famous myths from Khoikhoi mythology:

The Creation Myth

The Khoikhoi believe that the world was created by a god or gods, who formed the earth, sky, and all living things. Different Khoikhoi groups have different creation stories, but they often involve the god or gods creating the world out of chaos or darkness.

The Myth of the First Human

According to Khoikhoi legend, the first human, named /Kaggen, was created by the god or gods. Different Khoikhoi groups have different stories about how the first human was created, but they often involve the god or gods fashioning the first human out of clay or dust.

The Myth of the First Fire

The Khoikhoi believe that fire was brought to earth by a god or goddess, who gave it to humans as a gift. Different Khoikhoi groups have different stories about how fire was brought to earth, but they often involve a trickster figure stealing fire from the gods or a god or goddess giving fire to humans as a reward for good behavior.

The Myth of the First Rain

The Khoikhoi believe that the first rain was brought to the world by a god or goddess, who sent it to earth as a gift. Different Khoikhoi groups have different stories about how the first rain was brought to earth, but they often involve a god or goddess sending the rain to earth as a gift.

Diomedes was the commander of 80 Argive ships and one of the most respected leaders in the Trojan War. His famous exploits include the wounding of Aphrodite, the slaughter of Rhesus and his Thracians, and seizure of the Trojan Palladium, the sacred image of the goddess Pallas Athena that protected Troy.

Hake, Haki or Haco, the brother of Hagbard, was a famous Scandinavian sea-king, in Norse mythology. He is mentioned in the 12th century Gesta Danorum, and in 13th-century sources including Ynglinga saga, Nafnaþulur, Völsunga saga. If historical, he would have lived in the 5th century.

The messenger of the gods, depicted with wings on his heels and holding a caduceus.

Arma is the Hittite god of the moon, associated with night and darkness. He is often depicted as a mysterious and elusive deity.

In Greek mythology, Eurytus Ancient Greek: and Cteatus Ancient Greek: were twin brothers and also named the Moliones or Molionidai for their mother, Molione.

One of the most ancient and most widely worshiped of Celtic gods – who was venerated in Continental Europe, Britain and Ireland, Belenus (also known as Belenos, Bel, and Beli Mawr) was the quintessential sun god in the Celtic mythology. Known by his epithet ‘Fair Shining One’, Belenus was also associated with the horse and the wheel – and their composites tended to portray him as the effulgent Sun God gloriously riding across the sky in his horse-drawn chariot. Other representations depict Belenus as only riding his horse while throwing thunderbolts and using the wheel as his shield.

Allanzu is the Hittite god of the underworld, ruling over the realm of the dead. He is often depicted as a fearsome figure presiding over the afterlife.

In Greek mythology, Palamedes is a somewhat less prominent figure compared to heroes like Achilles or Odysseus, and as a result, there are fewer detailed descriptions of his appearance in the classical texts. However, he is often portrayed as a figure of significant intellect and cunning, much like Odysseus. In the context of Greek mythology and its artistic representations, characters' appearances were often idealized, reflecting the cultural ideals of beauty, heroism, and nobility. Therefore, Palamedes might typically be depicted as a handsome and noble-looking man, in keeping with the general style of portraying heroes in Greek art and literature. Key attributes that might be associated with Palamedes could include: Noble Bearing: As a prince and a hero, Palamedes would likely be depicted with an air of nobility and dignity. Intelligent Expression: Known for his wisdom and cleverness, his face might be portrayed with a thoughtful or intelligent expression. Warrior's Physique: Like many Greek heroes, Palamedes would probably be shown with a physically strong and well-proportioned body, indicative of his status as a warrior. Classical Greek Armor: When depicted in scenes of the Trojan War, he would likely be dressed in typical Greek armor of the period, such as a helmet, cuirass (breastplate), greaves (leg armor), and carrying a shield and spear. It's important to remember that artistic representations of mythological figures can vary widely, and the images we have from ancient Greek art are subject to interpretation and artistic license. The emphasis in Greek art was often on expressing character virtues and qualities through physical form, rather than creating accurate portraits.

In Greek mythology, Academus (also known as Hekademos or Akademos) is not a widely known figure, but he holds significance, particularly in relation to the history of Athens and the famous Academy of Plato. Academus is best known for his association with a sacred grove in ancient Athens. According to legend, he revealed to the Dioscuri (Castor and Pollux) the location where Theseus had hidden Helen of Troy. In gratitude, when the Spartans under their king, Castor and Pollux, attacked Athens to rescue Helen, they spared the land owned by Academus. The grove of Academus eventually became the site of Plato's Academy, one of the earliest institutions of higher learning in the Western world. The name "Academy" actually derives from Academus. Plato's Academy, established around 387 BC, was a gathering place for philosophical discussion and teaching, and it continued to function for about 900 years. It was here that Plato developed many of his ideas and taught his student Aristotle, among others. Because of this connection, the name Academus is often associated with learning and philosophical inquiry. However, beyond this association, there is little detailed information about him in the mythological tradition. He seems to be more of a legendary figure than a character featured in specific mythological stories or epics.

Shaushka is the Hittite goddess of love and fertility, revered for her role in bringing forth life and prosperity. She is often depicted as a nurturing figure associated with the abundance of nature.

A malevolent deity associated with chaos and destruction, often depicted as a monstrous figure.

A legendary queen and storyteller in Arabian Nights, known for her ability to captivate a king with her tales and thereby saving her own life.

A Persian sailor named Sinbad is on a quest to find the magical legendary Book of Peace, a mysterious artifact that Eris, the Greek wicked goddess of chaos, has ultimately framed him for stealing! If he fails on this quest, his childhood friend Prince Proteus of Syracuse will take Sindbad's death penalty, while Eris gains a desired foothold of power in the world of mortals. Written by Anthony Pereyra (hypersonic91yahoo.com) The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood...

Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares (Daniel Sharman). Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the King's hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. They remain powerless to stop Hyperion, until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus (Luke Evans), Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders, including visionary Priestess Phaedra (Freida Pinto) and cunning slave Stavros (Stephen Dorff), one hero will lead the uprising, or watch his homeland fall into ruin and his Gods vanish into legend. Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.

While Ben Gates is presenting new information about John Wilkes Booth and the 18 pages missing from Booth's diary, a man by the name of Mitch Wilkinson stands up and presents a missing page of John Wilkes Booth's diary. Thomas Gates, Ben's great-grandfather, is mentioned on the page. It shows that Ben's great-grandfather was a co-conspirator in Abraham Lincoln's murder. When doing more research, the conspiracy takes Ben, Abigail Chase, and Riley Poole to Buckingham Palace (which they break into). They discover a plank that has early Native American writing on it. The plank has only one symbol that Patrick Gates can identify. The symbol is Cibola (see-bowl-uh) meaning the City of Gold. In order to define the rest they have to go to Ben's mother, Patrick's divorced wife. After 32 years it brings back old arguments. After that the other clue is in the President's desk in the Oval Office in the White House (which Ben and Abigail sneak into) to discover that the clue lies in The President's Book. But in order to see the book, their choice is either get elected president or kidnap the President of the United States. Which do they choose? It's obvious. With Wilkinson close on their tail, they find the book in the Library of Congress. The conspiracy then crosses to Mount Rushmore where the clue was on the hills, but (according to the Book) President Calvin Coolidge had the faces carved in so no one can find the City of Gold. When they get there they find out that they must work with Wilkinson since he has some clues of his own. Who will claim Cibola? And will the name of Gates be known as murder? Written by mviedirctr354 Benjamin Gates must follow a clue left in John Wilkes Booth's diary to prove his ancestor's innocence in the assassination of Abraham Lincoln.

An American teenager who is obsessed with Hong Kong cinema and kung-fu classics makes an extraordinary discovery in a Chinatown pawnshop: the legendary stick weapon of the Chinese sage and warrior, the Monkey King. With the lost relic in hand, the teenager unexpectedly finds himself traveling back to ancient China to join a crew of warriors from martial arts lore on a dangerous quest to free the imprisoned Monkey King. Written by Anonymous A discovery made by a kung fu obsessed American teen sends him on an adventure to China, where he joins up with a band of martial arts warriors in order to free the imprisoned Monkey King.

An art collector appeals to Indiana Jones to embark on a search for the Holy Grail. He learns that another archaeologist has disappeared while searching for the precious goblet, and the missing man is his own father, Dr. Henry Jones. The artifact is much harder to find than they expected, and its powers are too much for those impure of heart. Written by Jwelch5742 In 1938, after his father Professor Henry Jones, Sr. goes missing while pursuing the Holy Grail, Professor Henry "Indiana" Jones, Jr. finds himself up against Adolf Hitler's Nazis again to...