Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Slavic paganism or Slavic religion define the religious beliefs, godlores and ritual practices of the Slavs before the formal Christianisation of their ruling elites.

Famous Myths of Slavic Mythology

• The myth of Perun

  Perun is the god of thunder and lightning in Slavic mythology, he is often seen as the chief deity and protector of the tribe.

• The myth of Veles

  Veles is the god of earth, waters, and the underworld in Slavic mythology, he is often associated with the power of magic and witchcraft.

• The myth of Svarog

  Svarog is the god of fire, metalworking and fate in Slavic mythology, he was considered as the father of the gods and the creator of the world.

• The myth of Dazhbog

  Dazhbog is the god of the sun, warmth and light in Slavic mythology, he was often associated with the power of fertility and agriculture.

• The myth of Baba Yaga

  Baba Yaga is a witch-like figure in Slavic mythology, known for her supernatural powers and her ability to fly. She is sometimes seen as a helpful figure, while other times she is seen as a malevolent force.

• The myth of Kostroma

  Kostroma is a goddess of fertility and love in Slavic mythology, she was often associated with the power of spring and renewal.

Zulu mythology contains numerous deities commonly associated with animals or general classes of natural phenomena. Unkulunkulu is the highest God and is the creator of humanity The Zulu people are an ethnic group that live primarily in South Africa, and their mythology is deeply rooted in their culture and tradition. Here are a few examples of famous myths from Zulu mythology:

The story of Unkulunkulu

Unkulunkulu is the creator god in Zulu mythology and is believed to be the first ancestor of the Zulu people. He is often depicted as an old man with a white beard, and is associated with wisdom, justice, and the sky.

The story of Nomkhubulwane

Nomkhubulwane is the goddess of fertility and is responsible for the abundance of crops, and the growth of the Zulu people.

The story of Ukhulukhulwane

Ukhulukhulwane is the god of rain and is known for his power and fury. He is often invoked to bring rain, and is considered a protector of the Zulu people.

The story of Zulu ancestor

Zulu ancestor is the first human being created by the god, Unkulunkulu. This figure is considered as the first ancestor of the Zulu people, and his children are considered as the founders of different Zulu tribes and clans.

The story of Inkanyamba

Inkanyamba is a serpentine water spirit, it is believed that Inkanyamba is responsible for the flooding of rivers and causing storms.

These myths, along with others, are used by the Zulu people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Ancestor worship and the belief in a supreme being who created the universe are an important part of Zulu traditional religion.

Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

Persian mythology are traditional tales and stories of ancient origin, all involving extraordinary or supernatural beings. Drawn from the legendary past of Iran, they reflect the attitudes of the society to which they first belonged - attitudes towards the confrontation of good and evil, the actions of the gods, yazats (lesser gods), and the exploits of heroes and fabulous creatures. Myths play a crucial part in Iranian culture and our understanding of them is increased when we consider them within the context of Iranian history.

Persian mythology, also known as Zoroastrianism, has a rich collection of myths and legends that have been passed down for thousands of years. Some of the most famous myths of Persian mythology include:

• The story of Zoroaster: This is the story of the prophet Zoroaster, who received a revelation from Ahura Mazda, the god of wisdom and goodness, and who taught the principles of the good religion.
• The Battle of the Gods: The Persian mythology tells of a great battle between the forces of good and evil, led by Ahura Mazda and Angra Mainyu respectively. This battle is said to have been fought to determine the fate of humanity and the world.
• The story of Yima: This is the story of the first man on earth, Yima, who was tasked by Ahura Mazda to create a paradise on earth and protect humanity from the forces of evil.
• The story of Fereydun and the dragon: This is the story of Fereydun, a Persian hero who fought and defeated a dragon to save his people.
• The story of Afrasiyab: Afrasiyab is the king of the demons and the archenemy of the Persian king, Iran. The story of Afrasiyab and Iran's battles is a recurrent theme in Persian mythology and literature.
• The story of Jamshid: Jamshid is a king of Persia who becomes arrogant and loses the favor of the gods and his kingdom.

These myths are part of the Zoroastrian religion, which was the dominant religion in Persia before the arrival of Islam. They were passed down through oral tradition and were later recorded in the sacred texts of the Avesta. They continue to be an important part of Persian culture and are still referenced in modern literature and art.

Arabian Mythology

Some say that Kaaba was built by the angels.



Religion in pre-Islamic Arabia was a mix of polytheism, Christianity, Judaism, and Iranian religions. Arab polytheism, the dominant form of religion in pre-Islamic Arabia, was based on veneration of deities and other rituals.

Famous Myths of Arabian Mythology

• The myth of djinn

  The djinn are supernatural spirits in Arabian mythology that can be good or evil, they are often associated with fire and can take human form.

• The myth of Al-Khidr

  Al-Khidr is a mysterious figure in Islamic mythology, also known as the "Green Man." He is believed to have knowledge of all things and is often associated with water and the afterlife.

• The myth of Harut and Marut

  Harut and Marut were two angels in Islamic mythology who were sent to Earth to test the faith of the people. They were tempted by the devil and ultimately fell from grace.

• The myth of Iblis

  Iblis is the Islamic equivalent of Satan. He was once an angel, but was cast out of heaven for his pride and refusal to bow to Adam.

• The myth of the seven sleepers

  The seven sleepers is a story from Islamic tradition about seven young men who sought refuge in a cave to escape persecution. They fell asleep and awoke years later, to find that the world had changed.

• The myth of Solomon

  Solomon is a prophet in Islamic and Jewish mythology, who is known for his wisdom and power. He is said to have had control over the djinn, birds, and the wind.

Allanzu is the Hittite god of the underworld, ruling over the realm of the dead. He is often depicted as a fearsome figure presiding over the afterlife.

God of embalming, protector of graves and the judge of the dead

The son of Odin and Frigg is Balder, the god of innocence and piety. He is so bright and fair that light shines from his features; he is also wise, eloquent, gentle, and lenient, and righteous to such a degree that his judgments stand always unshaken. His home and stronghold is called Breidablik; 4 there nothing impure may find lodgment. His wife is the faithful Nanna, daughter of Nep. His son is the righteous Forseti. Balder was killed by his brother Hod, but after the destruction of the universe he will return again. 1 The cult of Balder is mentioned only in the late, unhistorical Fridthjof’s Saga; from this source we learn that he had a great sanctuary, Baldershagi, somewhere in Sogn. 2

A supernatural being depicted as a witch who lives in a hut that stands on chicken legs, known for her wisdom and ambiguity.

In Greek mythology, Acrisius was the king of Argos, son of Abas and Aglaea and twin brother of Proetus. When their father died, Acrisius slyly possessed all of the inheritance and expelled his brother. However, assisted by his father – in – law Iobates, Proetus managed to take his share of the kingdom and became the ruler of the city of Tiryns

One of the most ancient and most widely worshiped of Celtic gods – who was venerated in Continental Europe, Britain and Ireland, Belenus (also known as Belenos, Bel, and Beli Mawr) was the quintessential sun god in the Celtic mythology. Known by his epithet ‘Fair Shining One’, Belenus was also associated with the horse and the wheel – and their composites tended to portray him as the effulgent Sun God gloriously riding across the sky in his horse-drawn chariot. Other representations depict Belenus as only riding his horse while throwing thunderbolts and using the wheel as his shield.

In Greek mythology Asclepius (or Asklepios) was a demi-god hero as he was the son of divine Apollo, and his mother was the mortal Koronis from Thessaly. In some accounts Koronis abandoned her child near Epidaurus in shame for his illegitimacy and left the baby to be looked after by a goat and a dog.

Hahhimas is the Hittite god of wisdom and magic, revered for his knowledge and mystical powers. He is often invoked for guidance and protection.

God of fire and volcanoes, often depicted holding a sword and a fire-spitting mace

Agni holds a special place in Hindu fire ritual to this day as the sacrificer (the priest who performs the ceremony) and the witness to all rites. the sacrifice (the ritual fire and the offerings made into it)

ince we delved into the Gaelic pantheon in the first entry, the most important father-figure deity within the scope of Irish Celtic gods pertained to the Dagda (An Dagda – ‘the Good God’). Revered as the leader of the Tuatha Dé Danann tribe of gods, he was usually associated with fertility, agriculture, weather, and masculine strength, while also embodying the aspects of magic, wisdom, knowledge, and Druidry. These facets do explain his renown and veneration among the Celtic druids. Many of the aspects also bear striking similarities to the divine characteristics of Odin, the chieftain of the Æsir tribe of ancient Norse gods.

In Greek mythology, Palamedes is a somewhat less prominent figure compared to heroes like Achilles or Odysseus, and as a result, there are fewer detailed descriptions of his appearance in the classical texts. However, he is often portrayed as a figure of significant intellect and cunning, much like Odysseus. In the context of Greek mythology and its artistic representations, characters' appearances were often idealized, reflecting the cultural ideals of beauty, heroism, and nobility. Therefore, Palamedes might typically be depicted as a handsome and noble-looking man, in keeping with the general style of portraying heroes in Greek art and literature. Key attributes that might be associated with Palamedes could include: Noble Bearing: As a prince and a hero, Palamedes would likely be depicted with an air of nobility and dignity. Intelligent Expression: Known for his wisdom and cleverness, his face might be portrayed with a thoughtful or intelligent expression. Warrior's Physique: Like many Greek heroes, Palamedes would probably be shown with a physically strong and well-proportioned body, indicative of his status as a warrior. Classical Greek Armor: When depicted in scenes of the Trojan War, he would likely be dressed in typical Greek armor of the period, such as a helmet, cuirass (breastplate), greaves (leg armor), and carrying a shield and spear. It's important to remember that artistic representations of mythological figures can vary widely, and the images we have from ancient Greek art are subject to interpretation and artistic license. The emphasis in Greek art was often on expressing character virtues and qualities through physical form, rather than creating accurate portraits.

Mayabazar (1957) is a classic Indian fantasy film directed by Kadiri Venkata Reddy. The film is based on the folk tale of Bhakta Prahlada and is set in the backdrop of a traditional village. It stars N.T. Rama Rao, A.N.R, Savitri, and S.V. Ranga Rao in the lead roles. The story revolves around Ghatotkacha (N.T. Rama Rao) and his father, King Hiranyakashyapu (S.V. Ranga Rao). Ghatotkacha, a demon son of the King, is in love with the princess of the Mayabazar (Savitri). However, the King wants his daughter to marry a human prince. Ghatotkacha's only hope is to obtain the magical parijat flower from Lord Vishnu, who is in disguise as a saint. With the help of Lord Vishnu, Ghatotkacha manages to save the princess and their love is eventually accepted by the King. The film is known for its iconic song "Koluvaiyunu Kalla Regindi" and its highly imaginative visual effects. It was one of the first South Indian films to use special effects and its innovative use of colour established it as a classic in Indian cinema.

An art collector appeals to Indiana Jones to embark on a search for the Holy Grail. He learns that another archaeologist has disappeared while searching for the precious goblet, and the missing man is his own father, Dr. Henry Jones. The artifact is much harder to find than they expected, and its powers are too much for those impure of heart. Written by Jwelch5742 In 1938, after his father Professor Henry Jones, Sr. goes missing while pursuing the Holy Grail, Professor Henry "Indiana" Jones, Jr. finds himself up against Adolf Hitler's Nazis again to...

Off the coast of the volcanic island of Santorini, the intrepid archaeologist, Lara Croft, makes the unexpected discovery of a throbbing golden orb able to guide its holder to the mythical Pandora's Box. As the legendary artefact contains ancient mysteries of unfathomable power, Lara needs to make sure it doesn't fall into the wrong hands, especially the unscrupulous former Nobel Prize winner and now a bio-weapons dealer, Jonathan Reiss. With the aid of the former agent, Terry Sheridan, the fearless adventurer travels the world in pursuit of the precious item; however, can she retrieve it in time to save the day? Written by Nick Riganas Adventurer Lara Croft goes on a quest to save the mythical Pandora's Box, before an evil scientist finds it, and recruits a former Marine turned mercenary to assist her.

Hercules, son of the Greek God, Zeus, is turned into a half-god, half-mortal by evil Hades, God of the Underworld, who plans to overthrow Zeus. Hercules is raised on Earth and retains his god-like strength, but when he discovers his immortal heritage Zeus tells him that to return to Mount Olympus he must become a true hero. Hercules becomes a famous hero with the help of his friend Pegasus and his personal trainer, Phil the satyr. Hercules battles monsters, Hades and the Titans, but it is his self-sacrifice to rescue his love Meg which makes him a true hero. Written by Kristi Connolly The son of Zeus and Hera is stripped of his immortality as an infant and must become a true hero in order to reclaim it.

A kind-hearted street urchin Aladdin vies for the love of the beautiful princess Jasmine, the princess of Agrabah. When he finds a magic lamp, he uses the genie's magic power to make himself a prince in order to marry her. He's also on a mission to stop the powerful Jafar who plots to steal the magic lamp that could make his deepest wishes come true