Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. Finnish mythology is the traditional belief system of the Finnish people, and it is closely related to the mythology of other Finno-Ugric peoples such as the Estonians and the Hungarians. Here are a few examples of famous myths from Finnish mythology:

The story of the creation of the world: According to Finnish mythology, the world was created by Ilmatar, a primal goddess of the air and the sky.

The story of Väinämöinen: Väinämöinen is a powerful and wise sorcerer in Finnish mythology, who is considered as one of the main characters of the Kalevala, a traditional epic poem of Finland. He is known for his wisdom and his role as a culture hero.

The story of Kullervo: Kullervo is a tragic hero of the Finnish mythology and is considered as one of the main characters of the Kalevala. He is known for his misfortune, his tragic fate and his power.

The story of Joukahainen: Joukahainen is a rival of Väinämöinen in the Kalevala, who is known for his arrogance and his defeat by Väinämöinen

The story of Lemminkäinen: Lemminkäinen is another character of the Kalevala, known for his romantic adventures and his quest to win the hand of the Maiden of the North.

These myths, along with others, are used by the Finnish people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Finnish traditional religion was a mixture of animism, nature worship, and ancestor worship.

Norse mythology is the body of myths of the North Germanic peoples, stemming from Norse paganism and continuing after the Christianization of Scandinavia, and into the Scandinavian folklore of the modern period.

Norse mythology is the traditional belief system of the people of Scandinavia, which includes the myths, legends, and religious beliefs of the ancient Norse. Here are a few examples of famous myths from Norse mythology:

• The story of the creation of the world: According to Norse mythology, the world was created by the god, Odin, Vili and Ve. They created the world from the body of the giant Ymir.
• The story of Thor: Thor is the god of thunder and is known for his strength and courage. He is often depicted as a fierce warrior, wielding a powerful hammer.
• The story of Odin: Odin is the chief of the gods and is known as the All-Father. He is the god of wisdom, poetry, and war, and is often depicted as a one-eyed old man.
• The story of Loki: Loki is the trickster god of Norse mythology and is known for his cunning and wit. He is often depicted as a shape-shifter and is considered a bringer of chaos and mischief.
• The story of Ragnarok: Ragnarok is the end of the world in Norse mythology, where gods, giants and monsters will fight in a great battle that will ultimately lead to the death of many gods and the destruction of the world.

These myths, along with others, are used by the Norse people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Norse mythology is polytheistic, with a pantheon of gods and goddesses, and it was an important aspect of the Norse religion.

Religion in pre-Islamic Arabia was a mix of polytheism, Christianity, Judaism, and Iranian religions. Arab polytheism, the dominant form of religion in pre-Islamic Arabia, was based on veneration of deities and other rituals.

Famous Myths of Arabian Mythology

• The myth of djinn

  The djinn are supernatural spirits in Arabian mythology that can be good or evil, they are often associated with fire and can take human form.

• The myth of Al-Khidr

  Al-Khidr is a mysterious figure in Islamic mythology, also known as the "Green Man." He is believed to have knowledge of all things and is often associated with water and the afterlife.

• The myth of Harut and Marut

  Harut and Marut were two angels in Islamic mythology who were sent to Earth to test the faith of the people. They were tempted by the devil and ultimately fell from grace.

• The myth of Iblis

  Iblis is the Islamic equivalent of Satan. He was once an angel, but was cast out of heaven for his pride and refusal to bow to Adam.

• The myth of the seven sleepers

  The seven sleepers is a story from Islamic tradition about seven young men who sought refuge in a cave to escape persecution. They fell asleep and awoke years later, to find that the world had changed.

• The myth of Solomon

  Solomon is a prophet in Islamic and Jewish mythology, who is known for his wisdom and power. He is said to have had control over the djinn, birds, and the wind.

Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

Some of the most famous myths of Egyptian mythology include the story of Ra and the creation of the world, the story of Osiris, Isis, and Horus, and the story of the god Anubis and the weighing of the heart.

The story of Ra and the creation of the world describes how the sun god Ra emerged from the chaos of Nun to create the world and the gods. The story of Osiris, Isis, and Horus tells of the murder of Osiris, the god of the underworld, by his brother Set, and how Osiris's wife Isis and son Horus sought to avenge his death and restore him to power.

The story of Anubis and the weighing of the heart is a myth that describes the judgement of the dead in the afterlife. It tells how the god Anubis would weigh the hearts of the deceased against the feather of Ma'at, the goddess of truth and justice, to determine whether they were worthy of entering the afterlife.

Other notable myths in Egyptian mythology include the story of the god Horus and his battles with his uncle Seth, the myth of the goddess Hathor, and the story of the god Ra and the serpent Apep.

These myths play a central role in Ancient Egyptian religion and were widely known among the ancient Egyptians. They were often depicted in art and were performed in temple rituals. They also played a significant role in shaping the culture, beliefs, and worldview of ancient Egyptians.

The Bushongo or Songora are an ethnic group from the Congo River and surrounding areas. The creation god(or chembe) in Bushongo mythology is called Bumba.

The Bushongo people, who live in what is now the Democratic Republic of Congo, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bushongo mythology:

The creation myth:

The Bushongo believe that the world was created by a god named Mbidi Kiluwe, who formed the earth, sky, and all living things.

The myth of the first man:

According to Bushongo legend, the first man, named Kondi, was created by Mbidi Kiluwe and was given the task of populating the world.

The myth of the first woman:

The Bushongo believe that the first woman, named Luba, was created by Mbidi Kiluwe and was given the task of helping Kondi to populate the world.

The myth of the first fire:

The Bushongo believe that fire was brought to earth by a god named Lumona, who gave it to humans as a gift.

The myth of the first death:

The Bushongo believe that death was brought to the world by a god named Cagn, who punished humans for their disobedience.

The myth of the first rain:

The Bushongo believe that the first rain was brought to the world by a god named Cagn, who punished humans for their disobedience.

Please note that this is just a small sample of the Bushongo mythology stories, and there are many more myths and legends that are important to the Bushongo people.

Durga Devi is a powerful, even frightening goddess who fights fiercely in order to restore dharma (moral order). Yet, while Durga is terrifying to her adversaries, she is full of compassion and love for her devotees.

Guðmundr (Old Norse, sometimes anglicised as Godmund) was a semi-legendary Norse king in Jotunheim, ruling over a land called Glæsisvellir, which was known as the warrior's paradise.

Orestes in Greek Mythology

Orestes is a significant figure in Greek mythology, known for his role in the tragic cycle of events that befall the House of Atreus. He is a central character in various ancient Greek plays and myths, particularly those concerning justice and the consequences of murder within a family.

Background

Orestes was the son of King Agamemnon and Queen Clytemnestra of Mycenae. His story is deeply interwoven with the tales of the Trojan War and its aftermath.

The Tale of Orestes

After Agamemnon's return from the Trojan War, he was murdered by Clytemnestra and her lover Aegisthus. Orestes, then in exile, returned as a young man to avenge his father's death. Guided by the god Apollo, he killed both his mother and Aegisthus, a deed that led to him being pursued by the Furies, ancient goddesses of retribution.

Significance in Greek Tragedy

The story of Orestes is a central theme in Greek tragedy, exploring complex moral and psychological themes. Key works featuring Orestes include:

• Aeschylus' 'Oresteia' trilogy
• Euripides' plays 'Electra' and 'Orestes'
• Sophocles' play 'Electra'

Redemption and Conclusion

Orestes' story concludes with his trial in Athens, where he is acquitted by a jury and the goddess Athena. This trial is often seen as a mythical representation of the transition from vendetta justice to a court of law, a pivotal moment in the development of civilized society.

In Norse mythology, the einherjar (Old Norse literally "army of one", "those who fight alone"[1][2]) are those who have died in battle and are brought to Valhalla by valkyries. In Valhalla, the einherjar eat their fill of the nightly-resurrecting beast Sæhrímnir, and valkyries bring them mead (which comes from the udder of the goat Heiðrún). The einherjar prepare daily for the events of Ragnarök, when they will advance for an immense battle at the field of Vígríðr. The einherjar are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, the poem Hákonarmál (by the 10th century skald Eyvindr skáldaspillir) as collected in Heimskringla, and a stanza of an anonymous 10th century poem commemorating the death of Eric Bloodaxe known as Eiríksmál as compiled in Fagrskinna. An etymological connection exists between the einherjar and the Harii (a Germanic people or figures form early Germanic folklore attested in the 1st century AD), and scholars have connected the einherjar to the eternal battle of Hjaðningavíg and the Wild Hunt. The einherjar have been the subject of works of art and poetry.

Amphiaraus was a king of Argos in Greek mythology, who reigned alongside Iphis and Adrastus, brother of his wife Eriphyle. He was the son of Oecles and Hypermnestra. He participated in the hunt of the Calydonian Boar, and he was also an oracle. He was one of the main characters in the myth of the Seven Against Thebes. His wife Eriphyle was bribed by Polynices with the necklace of Harmonia, and she managed to convince her husband to participate in the war, although it was doomed to fail. Although he accepted, Amphiaraus was aware of his wife’s ploy and asked his children Alcmaeon and Amphilochus to kill their mother if he was slain in the battlefield. During the battle, he killed Melanippus, but he was attacked by Periclymenus, son of Poseidon. Trying to flee, Amphiaraus was swallowed by the earth when Zeus threw a thunderbolt and split it in half. Afterwards, Alcmaeon killed his mother as he had promised his father, but was pursued by the Erinyes for committing matricide.

Tyr, Odin's son with the daughter 2 of the Giant Hymir, is bold and courageous; men call upon him in battle, and he gives them courage and heroism. Therefore Tyr is the true god of war; he takes pleasure in bringing about strife, and he does nothing whatever for the promotion of concord. Captains and princes are designated after him, Kinsmen of Tyr. No small number of places in the North (mostly in Denmark) commemorate his name; and yet, few traditions connected with him have survived. He has but one hand; the other was bitten off by the Fenris Wolf.

Alexanor was a son of Machaon, and grandson of the Greek god Asclepius, who built to his grandfather a temple on the summit of Titane in the territory of Sicyon. Around it there were dwellings for the use of those who came to solicit the aid of the god. Alexanor himself too was worshiped there, and sacrifices were offered to him, but only after sunset.

Son of Zeus and a mortal woman, renowned for his strength and celebrated in many adventures. Completed the Twelve Labors.

The creator god in Bantu mythology, believed to have vomited out the sun, moon, stars, and the first living creatures.

Agni holds a special place in Hindu fire ritual to this day as the sacrificer (the priest who performs the ceremony) and the witness to all rites. the sacrifice (the ritual fire and the offerings made into it)

Queen of the gods, wife and sister of Jupiter, and goddess of marriage, women, and childbirth. Known for her jealousy and vindictiveness.

God of the sea, earthquakes, and horses. Brother of Jupiter and Pluto, often depicted with a trident and accompanied by sea creatures.

After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power. Written by Claudio Carvalho, Rio de Janeiro, Brazil Losing his girlfriend because he was at an auction dramatically getting the magical philosopher's stone instead of a date, he needs a vacation - New Orleans but finds himself busy saving...

Timeline is based on Medieval mythology. The film follows a group of scientists as they travel back in time to 14th century France in order to save a friend. Along the way they face danger and discover the power of faith. A group of archaeologists and combat experts led by Paul Walker and Frances O'Connor use a "3-D fax machine" (so much for technobabble!) to time-travel back to France in 1357, in hopes of retrieving Walker's father and returning safely to the present. No such luck. Fending for themselves against marauding hordes of medieval French warriors at war with the invading British, these semi-intrepid travelers find their body count rising, and the deadline for their return home is rapidly approaching. Written by Anthony Pereyra {hypersonic91@yahoo.com} A group of archaeologists become trapped in the past when they go there to retrieve a friend. The group must survive in 14th century France before they can escape back to the 21st Century.

An Inca legend says the Inca Empire was destroyed by the gods when a gold and jeweled star burst was stolen from the Temple of the Sun centuries ago, and the ancient civilization will spring anew when the treasure is returned. The natives want it but so does Harry Steele, an American adventurer of slightly-shady ways who wants it for personal gain, as does his adversary, a grizzled old man even more into skulduggery than Steele. The latter teams up with Elena Antonescu, an Iron Curtain refugee fleeing from the MKVD. She can help him get a plane and he can help her escape Peru for the relative safety of Mexico.Is there a chance they will end up in a bickering love-hate relationship?... Is there a chance an American archaeologist, Dr. Stanley Moorehead, will come along as one corner of a romantic triangle?... Is there a chance that Yma Sumac (billed third on the posters and ads and special billed in the film), who can't act but can sing, will sing a few songs?... Is there a chance that these trite-sounding questions will develop into a film that is far from trite and vastly entertaining? Dang right, there is. Check it out. Written by Les Adams An adventurer searchers for hidden treasure in the Peruvian jungles.

Jason has been prophesied to take the throne of Thessaly. When he saves Pelias from drowning, but does not recognize him as the man who had earlier killed his father, Pelias tells Jason to travel to Colchis to find the Golden Fleece. Jason follows his advice and assembles a sailing crew of the finest men in Greece, including Hercules. They are under the protection of Hera, queen of the gods. Their voyage is replete with battles against harpies, a giant bronze Talos, a hydra, and an animated skeleton army, all brought to life by the special effects wizardry of Ray Harryhausen. Written by Rick Gregory The legendary Greek hero leads a team of intrepid adventurers in a perilous quest for the legendary Golden Fleece.

Perseus is the favored son of the god Zeus, but he has unwittingly ticked off the sea goddess Thetis. Just to make things worse, Perseus falls in love with the lovely Princess Andromeda, who used to be engaged to Thetis' son. Soon Perseus is off on one quest after another, with Zeus helping, Thetis hindering, and lots of innocent bystanders getting stabbed, drowned, and squished. Written by Anthony Pereyra {hypersonic91@yahoo.com} Perseus must battle Medusa and the Kraken to save the Princess Andromeda.