Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Tumbuka has many myths that constitute part of the Tumbuka cultural heritage.

These myths, told around fires at night, often to the accompaniment of drumming and choral responses, aim to teach children moral behavior and to entertain. The Tumbuka people are an ethnic group that live primarily in northern Malawi and eastern Zambia. Tumbuka mythology is rich with stories, myths and legends which are passed down from generation to generation through oral tradition. Some of the famous myths from Tumbuka mythology include:

The story of Mbulu:

Mbulu is the supreme being and creator of the Tumbuka people. He is often depicted as a powerful and benevolent god who watches over the Tumbuka people.

The story of Mwali:

Mwali is the god of war and is known for his strength and bravery. He is often invoked in times of conflict and is considered a protector of the Tumbuka people.

The story of Mlengi:

Mlengi is the god of fertility and is responsible for the abundance of crops and the growth of the Tumbuka people.

The story of Chaminuka:

Chaminuka is a powerful and wise ancestor who is considered to be the founder of the Tumbuka people. He is often invoked for guidance and wisdom.

The story of Mpherere:

Mpherere is the god of thunder and lightning and is known for his power and fury. He is often invoked to bring rain and is considered a protector of the Tumbuka people.

These myths, along with others, are used by the Tumbuka people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Tumbuka people have a strong belief in traditional religion, ancestor worship and animism.

Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. Finnish mythology is the traditional belief system of the Finnish people, and it is closely related to the mythology of other Finno-Ugric peoples such as the Estonians and the Hungarians. Here are a few examples of famous myths from Finnish mythology:

The story of the creation of the world: According to Finnish mythology, the world was created by Ilmatar, a primal goddess of the air and the sky.

The story of Väinämöinen: Väinämöinen is a powerful and wise sorcerer in Finnish mythology, who is considered as one of the main characters of the Kalevala, a traditional epic poem of Finland. He is known for his wisdom and his role as a culture hero.

The story of Kullervo: Kullervo is a tragic hero of the Finnish mythology and is considered as one of the main characters of the Kalevala. He is known for his misfortune, his tragic fate and his power.

The story of Joukahainen: Joukahainen is a rival of Väinämöinen in the Kalevala, who is known for his arrogance and his defeat by Väinämöinen

The story of Lemminkäinen: Lemminkäinen is another character of the Kalevala, known for his romantic adventures and his quest to win the hand of the Maiden of the North.

These myths, along with others, are used by the Finnish people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Finnish traditional religion was a mixture of animism, nature worship, and ancestor worship.

Etruscan mythology comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, originating in the 7th century BC from the preceding Iron Age Villanovan culture, with its influences in the mythology of ancient Greece and Phoenicia, and sharing similarities with concurrent Roman mythology.

The Etruscan civilization existed in ancient Italy from around the 8th century BCE to the 3rd century BCE, and its myths and religious beliefs have been largely lost to time. However, some of the myths that have been reconstructed from the surviving evidence include:Famous Myths of Etruscan Mythology

• The myth of Tages

  Tages was a child-god who emerged from the plowed fields and taught the Etruscans divination and the art of reading the will of the gods.

• The myth of Charun

  Charun was the Etruscan god of death, and was often depicted as a fearsome figure with a hammer, ready to strike the souls of the dead.

• The myth of Turms

  Turms was the Etruscan equivalent of Hermes, the Greek messenger of the gods. He was known for his speed and agility and was often depicted with winged sandals.

• The myth of Menrva

  Menrva was the Etruscan goddess of wisdom, war, and the arts. She was often equated with the Greek Athena and the Roman Minerva.

• The myth of Laran

  Laran was the Etruscan god of war, and was often depicted as a fierce warrior, ready to defend his people.

The Bantu Mythology

The Bantu mythology is the system of myths and legends of the Bantu peoples of Africa. Although Bantu peoples account for several hundred different ethnic groups, there is a high degree of homogeneity in Bantu cultures and mythologies, just as in Bantu languages.

The Bantu people, who live in many parts of Africa, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bantu mythology: The Creation Myth

The Bantu believe that the world was created by a god or gods, who formed the earth, sky, and all living things. Different Bantu groups have different creation stories, but they often involve the god or gods creating the world out of chaos or darkness.

The Myth of the First Human

According to Bantu legend, the first human, named Likumbi, was created by the god or gods. Different Bantu groups have different stories about how the first human was created, but they often involve the god or gods fashioning the first human out of clay or dust.

The Myth of the First Fire

The Bantu believe that fire was brought to earth by a god or goddess, who gave it to humans as a gift. Different Bantu groups have different stories about how fire was brought to earth, but they often involve a trickster figure stealing fire from the gods or a god or goddess giving fire to humans as a reward for good behavior.

The Myth of the First Rain

The Bantu believe that the first rain was brought to the world by a god or goddess, who sent it to earth as a gift. Different Bantu groups have different stories about how rain was brought to earth, but they often involve a god or goddess opening up the sky to let the rain fall or sending a messenger to earth to bring the rain.

The Myth of the Afterlife

The Bantu people have different beliefs about the afterlife, but some of the most common are a belief in a heaven and hell, a belief that the dead go to the land of the ancestors or a belief that the soul is reincarnated.

Japanese mythology encompasses the folk traditions of Japan and the Shinto religion. It is a collection of stories, beliefs, and customs that have been passed down through generations. The stories often revolve around the creation of the world, the deeds of the gods and goddesses, and the lives of heroes and monsters.

Famous Myths of Japanese Mythology

• The myth of the creation of Japan

  According to Japanese mythology, the god Izanagi and goddess Izanami were responsible for the creation of the Japanese islands. They stood on the bridge between heaven and earth and dipped a spear into the water, creating the first island of Onogoro.

• The myth of Amaterasu

  Amaterasu is the goddess of the sun and the ancestor of the Imperial Family of Japan. She is said to have been offended by her brother's behavior and retreated into a cave, causing the world to become dark. Her eventual return to the world brought light and warmth back to the land.

• The myth of Susano-o

  Susano-o is the god of sea and storms, as well as brother of Amaterasu. He is known for his reckless and impulsive behavior, which often causes trouble for the other gods.

• The myth of the eight-headed serpent, Yamata no Orochi

  Yamata no Orochi is a giant serpent with eight heads and eight tails, who terrorized an ancient province in Japan. He was eventually defeated by the god Susano-o, who saved a maiden and her brothers from the serpent's attacks.

• The myth of the Tengu

  Tengu are supernatural creatures that are half-human

Kumarbi is a primordial god in Hittite mythology, associated with chaos. He is the father of the storm god Teshub and engaged in a struggle for power with him.

Agni holds a special place in Hindu fire ritual to this day as the sacrificer (the priest who performs the ceremony) and the witness to all rites. the sacrifice (the ritual fire and the offerings made into it)

A legendary Etruscan king known for his wars with Rome, featured in Roman and Etruscan folklore.

In Greek mythology, the name Leucon may refer to: Leucon, a son of Themisto by either Athamas or Poseidon. His children were Erythras, Pisidice and Euippe (mother of Eteocles by Andreus). He was said to have died of a sickness.

Legendary archer in Persian mythology, known for shooting an arrow to determine the border between Iran and Turan.

Helgi the Sharp in Ragnarssona þáttr

In the saga "Ragnarssona þáttr," Helgi the Sharp emerges as a notable figure. This tale is part of the larger Norse mythology and sagas that detail the exploits of the legendary Viking Ragnar Lothbrok and his sons.

Background of Helgi the Sharp

Helgi the Sharp is portrayed as a prince, demonstrating qualities of bravery and prowess that are characteristic of heroes in Norse legends. His epithet 'the Sharp' likely refers to his keen intellect or skill in battle.

Role in the Saga

While "Ragnarssona þáttr" primarily focuses on the sons of Ragnar Lothbrok, characters like Helgi the Sharp add depth and complexity to the narrative. Helgi's adventures, battles, and exploits contribute to the rich tapestry of the saga.

Significance in Norse Literature

Helgi the Sharp, like many characters in Norse sagas, exemplifies the traits admired in Norse culture such as courage, strength, and honor. His story, though less central than that of Ragnar's more famous sons, provides insight into the values and themes prevalent in Norse mythology.

The character of Helgi the Sharp, while perhaps not as widely recognized as others in Norse mythology, represents the diverse and intricate world of Norse legendary heroes and their multifaceted stories.

A deity in Bantu mythology, associated with rain, water, and fertility, worshipped for agricultural abundance and protection against drought.

PELOPS was a king of the Eleian city of Pisa and the eponymous overlord of the western Peloponnesos, the so-called "Island of Pelops". His father King Tantalos of Lydia was impious man who, wishing to test the fallibility of the gods, butchered the young Pelops and served him at a feast of the gods.

Durga Devi is a powerful, even frightening goddess who fights fiercely in order to restore dharma (moral order). Yet, while Durga is terrifying to her adversaries, she is full of compassion and love for her devotees.

ather than being counted among the core Celtic gods, Camulos was possibly more of a Romano-Celtic deity, often associated with Mars (or Greek Ares), and thus was perceived as a god of war. However, his origins lie as the tribal god of the Remi, a Belgic tribe that dominated north-eastern Gaul (comprising modern-day Belgium and parts of both Netherlands and Germany).

A divine youth who could see the future and often accompanied the god of war, Tinia, in battles.

In Greek mythology, Palamedes is a somewhat less prominent figure compared to heroes like Achilles or Odysseus, and as a result, there are fewer detailed descriptions of his appearance in the classical texts. However, he is often portrayed as a figure of significant intellect and cunning, much like Odysseus. In the context of Greek mythology and its artistic representations, characters' appearances were often idealized, reflecting the cultural ideals of beauty, heroism, and nobility. Therefore, Palamedes might typically be depicted as a handsome and noble-looking man, in keeping with the general style of portraying heroes in Greek art and literature. Key attributes that might be associated with Palamedes could include: Noble Bearing: As a prince and a hero, Palamedes would likely be depicted with an air of nobility and dignity. Intelligent Expression: Known for his wisdom and cleverness, his face might be portrayed with a thoughtful or intelligent expression. Warrior's Physique: Like many Greek heroes, Palamedes would probably be shown with a physically strong and well-proportioned body, indicative of his status as a warrior. Classical Greek Armor: When depicted in scenes of the Trojan War, he would likely be dressed in typical Greek armor of the period, such as a helmet, cuirass (breastplate), greaves (leg armor), and carrying a shield and spear. It's important to remember that artistic representations of mythological figures can vary widely, and the images we have from ancient Greek art are subject to interpretation and artistic license. The emphasis in Greek art was often on expressing character virtues and qualities through physical form, rather than creating accurate portraits.

After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power. Written by Claudio Carvalho, Rio de Janeiro, Brazil Losing his girlfriend because he was at an auction dramatically getting the magical philosopher's stone instead of a date, he needs a vacation - New Orleans but finds himself busy saving...

While Ben Gates is presenting new information about John Wilkes Booth and the 18 pages missing from Booth's diary, a man by the name of Mitch Wilkinson stands up and presents a missing page of John Wilkes Booth's diary. Thomas Gates, Ben's great-grandfather, is mentioned on the page. It shows that Ben's great-grandfather was a co-conspirator in Abraham Lincoln's murder. When doing more research, the conspiracy takes Ben, Abigail Chase, and Riley Poole to Buckingham Palace (which they break into). They discover a plank that has early Native American writing on it. The plank has only one symbol that Patrick Gates can identify. The symbol is Cibola (see-bowl-uh) meaning the City of Gold. In order to define the rest they have to go to Ben's mother, Patrick's divorced wife. After 32 years it brings back old arguments. After that the other clue is in the President's desk in the Oval Office in the White House (which Ben and Abigail sneak into) to discover that the clue lies in The President's Book. But in order to see the book, their choice is either get elected president or kidnap the President of the United States. Which do they choose? It's obvious. With Wilkinson close on their tail, they find the book in the Library of Congress. The conspiracy then crosses to Mount Rushmore where the clue was on the hills, but (according to the Book) President Calvin Coolidge had the faces carved in so no one can find the City of Gold. When they get there they find out that they must work with Wilkinson since he has some clues of his own. Who will claim Cibola? And will the name of Gates be known as murder? Written by mviedirctr354 Benjamin Gates must follow a clue left in John Wilkes Booth's diary to prove his ancestor's innocence in the assassination of Abraham Lincoln.

The warrior King Odysseus leaves his idyllic life in the kingdom of Ithaca to fight in the Trojan War. After winning the war, he now must endure a lengthy, ten-year journey to return, and with all his wits, Odysseus must overcome deadly monsters, powerful forces of nature, seductive enchantresses, and even journey into the bowels of the Underworld. Season: 1 Year: 1997

Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares (Daniel Sharman). Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the King's hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. They remain powerless to stop Hyperion, until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus (Luke Evans), Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders, including visionary Priestess Phaedra (Freida Pinto) and cunning slave Stavros (Stephen Dorff), one hero will lead the uprising, or watch his homeland fall into ruin and his Gods vanish into legend. Theseus is a mortal man chosen by Zeus to lead the fight against the ruthless King Hyperion, who is on a rampage across Greece to obtain a weapon that can destroy humanity.

A prequel to Raiders of the Lost Ark (1981) set in 1935, the year before, the professor, archaeologist and adventurer by the name of Indiana Jones is back in action in his latest adventure. This time he teams up with a nightclub singer named Wilhelmina "Willie" Scott and a twelve-year-old Chinese boy named Short Round. They end up in a small distressed village in India, where the people believe that evil spirits have taken all their children away after a sacred precious stone was stolen. They also discover the great mysterious terror surrounding a booby-trapped temple known as the Temple of Doom. Thuggee is beginning to attempt to rise once more, believing that with the power of all five Sankara stones they can rule the world. It's all up to Indiana to put an end to the Thuggee campaign, rescue the lost children, win the girl and conquer the Temple of Doom. Written by Anthony Pereyra In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human...