Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Tumbuka has many myths that constitute part of the Tumbuka cultural heritage.

These myths, told around fires at night, often to the accompaniment of drumming and choral responses, aim to teach children moral behavior and to entertain. The Tumbuka people are an ethnic group that live primarily in northern Malawi and eastern Zambia. Tumbuka mythology is rich with stories, myths and legends which are passed down from generation to generation through oral tradition. Some of the famous myths from Tumbuka mythology include:

The story of Mbulu:

Mbulu is the supreme being and creator of the Tumbuka people. He is often depicted as a powerful and benevolent god who watches over the Tumbuka people.

The story of Mwali:

Mwali is the god of war and is known for his strength and bravery. He is often invoked in times of conflict and is considered a protector of the Tumbuka people.

The story of Mlengi:

Mlengi is the god of fertility and is responsible for the abundance of crops and the growth of the Tumbuka people.

The story of Chaminuka:

Chaminuka is a powerful and wise ancestor who is considered to be the founder of the Tumbuka people. He is often invoked for guidance and wisdom.

The story of Mpherere:

Mpherere is the god of thunder and lightning and is known for his power and fury. He is often invoked to bring rain and is considered a protector of the Tumbuka people.

These myths, along with others, are used by the Tumbuka people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. Tumbuka people have a strong belief in traditional religion, ancestor worship and animism.

Dinka mythology refers to the traditional religion and folk tales of the Dinka, or Muonyjang, ethnic group of South Sudan.

The supreme, creator god, Nhialic, is the god of the sky and rain, and the ruler of all the other gods and spirits. He is generally seen as distant from humans. Nhialic is also known as Jaak, Juong or Dyokin by other Nilotic groups such as the Nuer and Shilluk. Nhialac created ex-nihilo and rarely involves itself with the affairs of humans.

There are several versions of the Dinka creation myth which mainly concerns itself with the creation of humans. The first humans are Garang and Abuk. In some cases Nhialac created humans by blowing them out of its nose, other accounts say humans originated from the sky and were placed in the river where they came as fully formed adults. Other accounts say that humans were molded as clay figures and placed to mature in pots. Garang and Abuk were made out of the clay of Sudan.

Nhialac told them to multiply and that their children would die but would come back to life within 15 days. Garang protested that if nobody dies permanently then there would not be enough food. Nhialac then introduced permanent death. Nhialac commanded them to only plant one seed of grain a day or gave them one grain to eat a day. Being hungry everyday Abuk made a paste with the grain to make the food last longer. However, when Abuk disobeyed and planted more Nhialac cut the rope that connected Heaven and Earth.

Inuit Mythology

Inuit mythology is the traditional belief system of the Inuit people, who live in the Arctic regions of Alaska, Canada, and Greenland. Here are a few examples of famous myths from Inuit mythology:

The story of Sedna

Sedna is the goddess of the sea and marine animals in Inuit mythology. She is known for her role as the provider of food and is often invoked to ensure a good hunt.

The story of the Raven

The Raven is a powerful trickster figure in Inuit mythology and is known for his intelligence and cunning. He is often depicted as the creator of the world and is considered a bringer of culture and wisdom to the Inuit people.

The story of the Inuit ancestor

The Inuit ancestor is the first human being created by the god, Raven. This figure is considered as the first ancestor of the Inuit people, and his children are considered as the founders of different Inuit tribes and clans.

The story of the spirits

Inuit mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.

The story of the shamans

In Inuit mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.

These myths, along with others, are used by the Inuit people to explain the origins of their people and their customs, and to reinforce their traditional beliefs and values. The Inuit traditional religion was based on animism, ancestor worship, and shamanism.

Roman mythology is a collection of traditional stories, beliefs, and religious practices that ancient Romans used to explain the world around them and the natural phenomena they observed. The Roman myths are heavily influenced by the myths of the ancient Greeks, as the Romans adopted many of the Greek gods and goddesses and adapted them to their own culture. Here are some famous myths of Roman mythology:

Famous Myths of Roman Mythology

• The myth of Romulus and Remus

  This is the story of the twin brothers who were suckled by a she-wolf and went on to found the city of Rome.

• The myth of Jupiter and his brothers

  Jupiter, the king of the gods, overthrew his father Saturn and his brothers to become the ruler of the gods.

• The myth of Apollo and Daphne

  This is the story of the god of poetry and music, Apollo, who falls in love with the nymph Daphne, who turns into a laurel tree to escape him.

• The myth of Venus and Adonis

  This is the story of the goddess of love and beauty, Venus, who falls in love with the mortal Adonis.

• The myth of Mars and Rhea Silvia

  This is the story of the god of war, Mars, who impregnates Rhea Silvia, the Vestal Virgin, and the mother of the twins Romulus and Remus.

• The myth of Mercury and Herse

  This is the story of the messenger of the gods, Mercury, who seduces the mortal Herse, and the daughter of the king of Athens.

• The myth of Saturn and Ops

  This is the story of the god of agriculture and the ruler of the Golden Age, Saturn, who marries Ops, the goddess of fertility and abundance.

Mbuti (Bambuti) mythology is the mythology of the African Mbuti (also known as Bambuti) Pygmies of Congo. The Bambuti people, also known as the Pygmies, are a group of indigenous people who live in the Ituri rainforest in the Democratic Republic of Congo. They have a rich and diverse mythology that reflects their culture and beliefs. Here are a few examples of famous myths from Bambuti mythology:

• The creation myth: The Bambuti believe that the world was created by a god named Nkuba, who formed the earth, sky, and all living things. They also believe that Nkuba created the first man and woman, and gave them the task of populating the world.
• The myth of the first fire: The Bambuti believe that fire was brought to earth by a trickster figure named Mokèlé-mbèmbé, who stole it from the gods and gave it to humans.
• The myth of the first hunting: The Bambuti believe that hunting was taught to humans by a god named Woot, who also taught them how to make arrows, spears, and traps.
• The myth of the first death: The Bambuti believe that death was brought to the world by a god named Nkondi, who punished humans for their disobedience.
• The myth of the first rain: The Bambuti believe that the first rain was brought to the world by a god named Nkondi, who punished humans for their disobedience.
• The myth of the afterlife: The Bambuti believe that the souls of the dead go to the land of the ancestors, which is a place similar to the earth but more beautiful and peaceful. They also believe that the souls of the wicked go to a place of punishment.

Please note that this is just a small sample of the Bambuti mythology stories, and there are many more myths and legends that are important to the Bambuti people.

In Norse mythology, the einherjar (Old Norse literally "army of one", "those who fight alone"[1][2]) are those who have died in battle and are brought to Valhalla by valkyries. In Valhalla, the einherjar eat their fill of the nightly-resurrecting beast Sæhrímnir, and valkyries bring them mead (which comes from the udder of the goat Heiðrún). The einherjar prepare daily for the events of Ragnarök, when they will advance for an immense battle at the field of Vígríðr. The einherjar are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, the poem Hákonarmál (by the 10th century skald Eyvindr skáldaspillir) as collected in Heimskringla, and a stanza of an anonymous 10th century poem commemorating the death of Eric Bloodaxe known as Eiríksmál as compiled in Fagrskinna. An etymological connection exists between the einherjar and the Harii (a Germanic people or figures form early Germanic folklore attested in the 1st century AD), and scholars have connected the einherjar to the eternal battle of Hjaðningavíg and the Wild Hunt. The einherjar have been the subject of works of art and poetry.

The creator god in Bantu mythology, believed to have vomited out the sun, moon, stars, and the first living creatures.

The son of Odin and Frigg is Balder, the god of innocence and piety. He is so bright and fair that light shines from his features; he is also wise, eloquent, gentle, and lenient, and righteous to such a degree that his judgments stand always unshaken. His home and stronghold is called Breidablik; 4 there nothing impure may find lodgment. His wife is the faithful Nanna, daughter of Nep. His son is the righteous Forseti. Balder was killed by his brother Hod, but after the destruction of the universe he will return again. 1 The cult of Balder is mentioned only in the late, unhistorical Fridthjof’s Saga; from this source we learn that he had a great sanctuary, Baldershagi, somewhere in Sogn. 2

Castor and Pollux (or in Greek, Polydeuces) were twin half-brothers in Greek and Roman mythology, known together as the Dioscuri. ... Pollux asked Zeus to let him share his own immortality with his twin to keep them together, and they were transformed into the constellation Gemini.

Beyond syncretism, there were also sole Celtic gods worshipped in the pantheon of the ancient Gallo-Roman religion and even Rome itself. Epona belonged to the rare second category. Regarded as the female deity and protector of horses, donkeys, and mules (etymologically, the word ‘Epona’ is derived from Proto-Celtic *ekwos – meaning horse), the Celtic goddess was also possibly associated with fertility – given the visual cues of patera, cornucopia, and foals in some of her extant sculptures. And talking of depictions, most of the dedicatory inscriptions to Epona (found by archaeologists) were made in Latin (as opposed to Celtic), thus suggesting her popularity in the Roman world.

The sun god who created the world and sailed through the sky in a boat

Rama is a major deity of Hinduism, and a central character in the ancient Hindu epic, the Ramayana. He is the seventh avatar of the god Vishnu and is known as the perfect human being, an ideal son, husband, and king. He is one of the most popular and widely worshipped Hindu gods, and is usually depicted with his wife Sita, brother Lakshmana, and devotee Hanuman. Rama's story tells of his exile from his kingdom, his journey to defeat the demon king Ravana, and his return to his kingdom with Sita. He is seen as an example of truth, courage, compassion, and self-control, and is a symbol of dharma, or righteous living.

Arma is the Hittite god of the moon, associated with night and darkness. He is often depicted as a mysterious and elusive deity.

In Greek mythology, the name Leucon may refer to: Leucon, a son of Themisto by either Athamas or Poseidon. His children were Erythras, Pisidice and Euippe (mother of Eteocles by Andreus). He was said to have died of a sickness.

In Greek mythology, Protesilaus was a hero in the Iliad who was venerated at cult sites in Thessaly and Thrace. Protesilaus was the son of Iphiclus, a "lord of many sheep"; as grandson of the eponymous Phylacos, he was the leader of the Phylaceans.

In Hittite mythology, Telepinu is the god of agriculture and fertility. He was once lost but found again, bringing about the revival of the land.

Helgi Hundingsbane is a hero in Norse sagas. Helgi appears in Volsunga saga and in two lays in the Poetic Edda named Helgakviða Hundingsbana I and Helgakviða Hundingsbana II. The Poetic Edda relates that Helgi and his mistress Sigrún were Helgi Hjörvarðsson and Sváva of the Helgakviða Hjörvarðssonar reborn. They were once again reborn as Helgi Haddingjaskati and Kára whose story survives as a part of the Hrómundar saga Gripssonar.

While Ben Gates is presenting new information about John Wilkes Booth and the 18 pages missing from Booth's diary, a man by the name of Mitch Wilkinson stands up and presents a missing page of John Wilkes Booth's diary. Thomas Gates, Ben's great-grandfather, is mentioned on the page. It shows that Ben's great-grandfather was a co-conspirator in Abraham Lincoln's murder. When doing more research, the conspiracy takes Ben, Abigail Chase, and Riley Poole to Buckingham Palace (which they break into). They discover a plank that has early Native American writing on it. The plank has only one symbol that Patrick Gates can identify. The symbol is Cibola (see-bowl-uh) meaning the City of Gold. In order to define the rest they have to go to Ben's mother, Patrick's divorced wife. After 32 years it brings back old arguments. After that the other clue is in the President's desk in the Oval Office in the White House (which Ben and Abigail sneak into) to discover that the clue lies in The President's Book. But in order to see the book, their choice is either get elected president or kidnap the President of the United States. Which do they choose? It's obvious. With Wilkinson close on their tail, they find the book in the Library of Congress. The conspiracy then crosses to Mount Rushmore where the clue was on the hills, but (according to the Book) President Calvin Coolidge had the faces carved in so no one can find the City of Gold. When they get there they find out that they must work with Wilkinson since he has some clues of his own. Who will claim Cibola? And will the name of Gates be known as murder? Written by mviedirctr354 Benjamin Gates must follow a clue left in John Wilkes Booth's diary to prove his ancestor's innocence in the assassination of Abraham Lincoln.

An Inca legend says the Inca Empire was destroyed by the gods when a gold and jeweled star burst was stolen from the Temple of the Sun centuries ago, and the ancient civilization will spring anew when the treasure is returned. The natives want it but so does Harry Steele, an American adventurer of slightly-shady ways who wants it for personal gain, as does his adversary, a grizzled old man even more into skulduggery than Steele. The latter teams up with Elena Antonescu, an Iron Curtain refugee fleeing from the MKVD. She can help him get a plane and he can help her escape Peru for the relative safety of Mexico.Is there a chance they will end up in a bickering love-hate relationship?... Is there a chance an American archaeologist, Dr. Stanley Moorehead, will come along as one corner of a romantic triangle?... Is there a chance that Yma Sumac (billed third on the posters and ads and special billed in the film), who can't act but can sing, will sing a few songs?... Is there a chance that these trite-sounding questions will develop into a film that is far from trite and vastly entertaining? Dang right, there is. Check it out. Written by Les Adams An adventurer searchers for hidden treasure in the Peruvian jungles.

The warrior Thor (Chris Hemsworth) is cast out of the fantastic realm of Asgard by his father Odin (Sir Anthony Hopkins) for his arrogance and sent to Earth to live amongst humans. Falling in love with scientist Jane Foster (Natalie Portman) teaches Thor much-needed lessons, and his new-found strength comes into play as a villain from his homeland sends dark forces toward Earth. The powerful but arrogant god Thor is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.

After retrieving the Crystal Skull in Utah, Flynn Carsen receives a map in the mail with the secret location of King Solomon's Mines. When the scroll is stolen, Judson explains the power of the Key of Solomon's book and assigns Flynn to retrieve the map. The map is useless without the legend piece to decipher it, which is located in Volubilis near the Roman ruins in Morocco. Flynn heads to Casablanca to the ruins where he is chased by a group of mercenaries leaded by General Samir. They too want to find the location of King Solomon's mines. Flynn teams-up with Professor Emily Davenport working in the dig and they escape from General Samir and his men. While traveling to Gedi, they save the local Jomo from death and the trio faces a dangerous journey through the wild Africa. Written by Claudio Carvalho, Rio de Janeiro, Brazil Librarian-turned-adventurer Flynn Carsen endeavors to find King Solomon's mines.

Mayabazar (1957) is a classic Indian fantasy film directed by Kadiri Venkata Reddy. The film is based on the folk tale of Bhakta Prahlada and is set in the backdrop of a traditional village. It stars N.T. Rama Rao, A.N.R, Savitri, and S.V. Ranga Rao in the lead roles. The story revolves around Ghatotkacha (N.T. Rama Rao) and his father, King Hiranyakashyapu (S.V. Ranga Rao). Ghatotkacha, a demon son of the King, is in love with the princess of the Mayabazar (Savitri). However, the King wants his daughter to marry a human prince. Ghatotkacha's only hope is to obtain the magical parijat flower from Lord Vishnu, who is in disguise as a saint. With the help of Lord Vishnu, Ghatotkacha manages to save the princess and their love is eventually accepted by the King. The film is known for its iconic song "Koluvaiyunu Kalla Regindi" and its highly imaginative visual effects. It was one of the first South Indian films to use special effects and its innovative use of colour established it as a classic in Indian cinema.