Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

Persian mythology are traditional tales and stories of ancient origin, all involving extraordinary or supernatural beings. Drawn from the legendary past of Iran, they reflect the attitudes of the society to which they first belonged - attitudes towards the confrontation of good and evil, the actions of the gods, yazats (lesser gods), and the exploits of heroes and fabulous creatures. Myths play a crucial part in Iranian culture and our understanding of them is increased when we consider them within the context of Iranian history.

Persian mythology, also known as Zoroastrianism, has a rich collection of myths and legends that have been passed down for thousands of years. Some of the most famous myths of Persian mythology include:

• The story of Zoroaster: This is the story of the prophet Zoroaster, who received a revelation from Ahura Mazda, the god of wisdom and goodness, and who taught the principles of the good religion.
• The Battle of the Gods: The Persian mythology tells of a great battle between the forces of good and evil, led by Ahura Mazda and Angra Mainyu respectively. This battle is said to have been fought to determine the fate of humanity and the world.
• The story of Yima: This is the story of the first man on earth, Yima, who was tasked by Ahura Mazda to create a paradise on earth and protect humanity from the forces of evil.
• The story of Fereydun and the dragon: This is the story of Fereydun, a Persian hero who fought and defeated a dragon to save his people.
• The story of Afrasiyab: Afrasiyab is the king of the demons and the archenemy of the Persian king, Iran. The story of Afrasiyab and Iran's battles is a recurrent theme in Persian mythology and literature.
• The story of Jamshid: Jamshid is a king of Persia who becomes arrogant and loses the favor of the gods and his kingdom.

These myths are part of the Zoroastrian religion, which was the dominant religion in Persia before the arrival of Islam. They were passed down through oral tradition and were later recorded in the sacred texts of the Avesta. They continue to be an important part of Persian culture and are still referenced in modern literature and art.

Akamba Mythology

The Akamba people, who live in Kenya, have a rich and diverse mythology



The Kamba or Akamba people are a Bantu ethnic group - or tribe - who live in the semi-arid formerly Eastern Province of Kenya stretching east from Nairobi to Tsavo and north up to Embu, Kenya.

The Akamba people, who live in Kenya, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Akamba mythology:

The creation myth:

The Akamba believe that the world was created by a god named Mulungu, who formed the earth and sky, the sun and moon, and all living things.

The myth of the first woman:

According to Akamba legend, the first woman, named Wambui, was created from a rib taken from the first man, named Kintu.

The myth of the first fire:

The Akamba believe that fire was brought to earth by a bird named Kibokolo, who stole it from the gods and gave it to humans.

The myth of the first fruit trees:

The Akamba believe that the first fruit trees were created by a goddess named Nzambi, who planted them in the garden of the first man and woman.

The myth of the first death:

The Akamba believe that death was brought to the world by a god named Kibuka, who punished humans for their disobedience.

The myth of the first rain:

The Akamba believe that the first rain was brought to the world by a god named Kibuka, who punished humans for their disobedience.

Please note that this is just a small sample of the Akamba mythology stories, and there are many more myths and legends that are important to the Akamba people.

Egyptian mythology

Apophis was perhaps the only Egyptian god very powerful, was not worshiped but feared.



Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. These sources rarely contain a complete account of a myth and often describe only brief fragments.

Some of the most famous myths of Egyptian mythology include the story of Ra and the creation of the world, the story of Osiris, Isis, and Horus, and the story of the god Anubis and the weighing of the heart.

The story of Ra and the creation of the world describes how the sun god Ra emerged from the chaos of Nun to create the world and the gods. The story of Osiris, Isis, and Horus tells of the murder of Osiris, the god of the underworld, by his brother Set, and how Osiris's wife Isis and son Horus sought to avenge his death and restore him to power.

The story of Anubis and the weighing of the heart is a myth that describes the judgement of the dead in the afterlife. It tells how the god Anubis would weigh the hearts of the deceased against the feather of Ma'at, the goddess of truth and justice, to determine whether they were worthy of entering the afterlife.

Other notable myths in Egyptian mythology include the story of the god Horus and his battles with his uncle Seth, the myth of the goddess Hathor, and the story of the god Ra and the serpent Apep.

These myths play a central role in Ancient Egyptian religion and were widely known among the ancient Egyptians. They were often depicted in art and were performed in temple rituals. They also played a significant role in shaping the culture, beliefs, and worldview of ancient Egyptians.
Sami Mythology

The Sami people are an indigenous people of the Arctic regions



According to the Sámi world view, man and nature were one. To the Sámi people, nature was home, a way of life, the past and the future. In the Sámi world view, as in that of other arctic peoples, the well-being of man and nature alike was directly dependent upon the balance between the two.

The Sami people are an indigenous people of the Arctic regions of Norway, Sweden, Finland, and Russia. Their traditional belief system is known as Sami mythology, which includes a rich collection of myths, legends, and religious beliefs. Here are a few examples of famous myths from Sami mythology:

The story of the creation of the world: According to Sami mythology, the world was created by the god, Radien-attje, who is the supreme god and creator of the universe.

The story of the Sami ancestor: The Sami ancestor is the first human being created by the god, Radien-attje. This figure is considered as the first ancestor of the Sami people and his children are considered as the founders of different Sami tribes and clans.

The story of the spirits: Sami mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.

The story of the shamans: In Sami mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.

The story of the Nattravnen: Nattravnen is a spirit of the night, known for its ability to shape-shift and for its mischievous nature. It is often depicted as a bird or an owl.

These myths, along with others, are used by the Sami people to explain the origins of their people and their customs and to reinforce their traditional beliefs and values. The Sami traditional religion was based on animism, ancestor worship, and shamanism.

Bushongo Mythology

The people of the lightning / Sons of Bushongo



The Bushongo or Songora are an ethnic group from the Congo River and surrounding areas. The creation god(or chembe) in Bushongo mythology is called Bumba.

The Bushongo people, who live in what is now the Democratic Republic of Congo, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bushongo mythology:

The creation myth:

The Bushongo believe that the world was created by a god named Mbidi Kiluwe, who formed the earth, sky, and all living things.

The myth of the first man:

According to Bushongo legend, the first man, named Kondi, was created by Mbidi Kiluwe and was given the task of populating the world.

The myth of the first woman:

The Bushongo believe that the first woman, named Luba, was created by Mbidi Kiluwe and was given the task of helping Kondi to populate the world.

The myth of the first fire:

The Bushongo believe that fire was brought to earth by a god named Lumona, who gave it to humans as a gift.

The myth of the first death:

The Bushongo believe that death was brought to the world by a god named Cagn, who punished humans for their disobedience.

The myth of the first rain:

The Bushongo believe that the first rain was brought to the world by a god named Cagn, who punished humans for their disobedience.

Please note that this is just a small sample of the Bushongo mythology stories, and there are many more myths and legends that are important to the Bushongo people.

Heidrek would have the daughter Hervor and the sons Angantyr and Hlöd. When Heidrek, the king of the Goths died, Angantyr inherited and refused to give Hlöd equal share. Hlöd attacked with the Hunnish army and in an epic battle, Hlöd was slain. Angantyr would be one of the ancestors of the Swedish kings of the House of Munsö.

Butes, a Thracian, Boreas's son, who was hostile towards his stepbrother Lycurgus and was driven out of the country by him. He settled in the island of Strongyle (Naxos) with a bunch of men, and proceeded to attack those who sailed past the island.

A poor young man who finds a magical lamp containing a genie in Arabian Nights, leading to adventures and riches.

The messenger of the gods, depicted with wings on his heels and holding a caduceus.

The creator god in Bantu mythology, believed to have vomited out the sun, moon, stars, and the first living creatures.

Morrigan (also known as Morrígu) was perceived as a mysterious and rather ominous female deity among the Irish Celtic gods and goddesses, associated with both war and fate. In modern Irish, her name Mór-Ríoghain roughly translates to the ‘phantom queen’. Befitting this cryptic epithet, in the mythical narrative, Morrigan was capable of shapeshifting (who usually transformed into a crow – the badb) and foretelling doom, while also inciting men into a war frenzy. On the other hand, in contrast to these seemingly chaotic and ‘war-mongering’ attributes, Morrigan was possibly also venerated as a Celtic goddess of sovereignty who acted as the symbolic guardian of the land and its people.

Pandion in Greek Mythology

Pandion is a name attributed to two legendary kings of Athens in Greek mythology. Both are relatively less prominent figures compared to other mythological characters but play a role in the mythological lineage of Athenian rulers.

Pandion I

Pandion I was said to be a king of Athens, the son of Erichthonius, and a descendant of Hephaestus. His reign was marked by relative peace and he was known for his contributions to the expansion and prosperity of the city.

• Family: Pandion I married Zeuxippe, and they had four children: Procne, Philomela, Erechtheus, and Butes.
• Mythological Tales: He is often associated with the tragic story of his daughters, Procne and Philomela, which involves transformation and revenge.

Pandion II

Pandion II, sometimes confused with Pandion I, was also a mythological king of Athens. His reign is less defined but he is noted in various genealogies of Greek mythology.

• Family: He was the son of Cecrops II and fathered four sons: Aegeus, Pallas, Nisos, and Lycus.
• Significance: He is notable mainly for his descendants, who include Aegeus, the father of the hero Theseus.

While not central figures in Greek mythology, the Pandions contribute to the complex and rich tapestry of Athenian mythological history and lineage.

If one Hindu god's name is known and recognized throughout the world, it is Krishna. Hindus identify Krishna as the teacher of the sacred scripture called the Bhagavad Gita and as the friend and mentor of prince Arjuna in the epic the Mahabharata. For his devotees, Krishna is a delight, full of playful pranks. But most of all, Lord Krishna’s promise to humanity that he will manifest himself and descend to earth whenever dharma declines has sustained Hindu belief in the Supreme Being over thousands of years.

Goddess of flood control and rivers, also associated with the sun

Halga, Helgi, Helghe or Helgo was a legendary Danish king living in the early 6th century.[1] His name would in his own language (Proto-Norse) have been *Hailaga[2] (dedicated to the gods). Scholars generally agree that he appears in both Anglo-Saxon (Beowulf) and Scandinavian tradition (Norse sagas and Danish chronicles).[3] In both traditions, he was a Scylding, the son of Healfdene and the brother of Hroðgar. In Beowulf, his relationship to Hroðulf is not explained, but if he was not his father, as in the Scandinavian tradition, he was at least his uncle. Both traditions also mention his family's feud with Froda and Ingeld. Whereas, not much is said about Halga in Anglo-Saxon sources, much more is said in Scandinavian ones, all of them containing a version of the story of his incestuous relationship with his own daughter Yrsa. This liaison resulted in Halga's son Hroðulf.

Eurybarus (or Eurybaros) is a figure who appears in Greek mythology, but it's important to note that he is a rather obscure character, and his mention in the mythological accounts is minimal compared to more prominent figures like Hercules or Achilles. Eurybarus is sometimes referenced in relation to the lineage of some notable characters or as a participant in certain mythological events. For example, in some accounts, he is mentioned as one of the suitors of Penelope, the wife of Odysseus. In this context, Eurybarus would have been one of the many men who, believing Odysseus to be dead, sought to marry Penelope and thus claim control over Ithaca. The story of Penelope's suitors is most famously recounted in Homer's "Odyssey," in which Odysseus returns home after a long absence and ultimately deals with these suitors. However, due to the minor and variable nature of his role, the details about Eurybarus might differ slightly depending on the source or might not be deeply elaborated upon. Ancient Greek mythology is vast and often not consistent across different sources, and many characters are only briefly mentioned or exist in the background of the more central narratives. If you are researching a specific aspect of Eurybarus or his role in a particular story or lineage, it might require consulting specific ancient texts or academic resources that focus on the lesser-known characters of Greek mythology.

A divine child who emerged from a plowed field and taught the Etruscans the art of divination.

Perseus is the favored son of the god Zeus, but he has unwittingly ticked off the sea goddess Thetis. Just to make things worse, Perseus falls in love with the lovely Princess Andromeda, who used to be engaged to Thetis' son. Soon Perseus is off on one quest after another, with Zeus helping, Thetis hindering, and lots of innocent bystanders getting stabbed, drowned, and squished. Written by Anthony Pereyra {hypersonic91@yahoo.com} Perseus must battle Medusa and the Kraken to save the Princess Andromeda.

Thousands of years ago, a race of beings known as Dark Elves tried to send the universe into darkness by using a weapon known as the Aether. Warriors from Asgard stopped them, but their leader Malekith (Christopher Eccleston) escaped to wait for another opportunity. The warriors find the Aether, and since it cannot be destroyed, they try to hide it. In the present day, Jane Foster (Natalie Portman) awaits the return of Thor (Chris Hemsworth), although it has been two years since they last saw once another. In the meantime, Thor has been trying to bring peace to the nine realms. Jane discovers an anomaly similar to the one that brought Thor to Earth. She goes to investigate, finds a wormhole, and is sucked into it. Back on Asgard, Thor wishes to return to Earth, but his father, Odin (Sir Anthony Hopkins), refuses to let him. Thor learns from Heimdall (Idris Elba), who can see into all of the realms, that Jane disappeared. Thor then returns to Earth just as Jane reappears. However, when some Policemen try to arrest her, an unknown energy repulses them. Thor then brings Jane to Asgard to find out what happened to her. When the energy is released again, they discover that when Jane disappeared, she crossed paths with the Aether and it entered her. Malekith, upon sensing that the time to strike is now, seeks out the Aether. He attacks Asgard and Thor's mother Frigga (Rene Russo) is killed protecting Jane. Odin wants to keep Jane on Asgard so that Malekith will come. Thor disagrees with his plan, so with his cohorts, he decides to take Jane away. He enlists the aid of his brother, Loki (Tom Hiddleston). Unfortunately, Loki's motivations remain unknown. Written by rcs0411@yahoo.com When the Dark Elves attempt to plunge the universe into darkness, Thor must embark on a perilous and personal journey that will reunite him with doctor Jane Foster.

Timeline is based on Medieval mythology. The film follows a group of scientists as they travel back in time to 14th century France in order to save a friend. Along the way they face danger and discover the power of faith. A group of archaeologists and combat experts led by Paul Walker and Frances O'Connor use a "3-D fax machine" (so much for technobabble!) to time-travel back to France in 1357, in hopes of retrieving Walker's father and returning safely to the present. No such luck. Fending for themselves against marauding hordes of medieval French warriors at war with the invading British, these semi-intrepid travelers find their body count rising, and the deadline for their return home is rapidly approaching. Written by Anthony Pereyra {hypersonic91@yahoo.com} A group of archaeologists become trapped in the past when they go there to retrieve a friend. The group must survive in 14th century France before they can escape back to the 21st Century.

Master explorer and former US Navy Seal Dirk Pitt and his wisecracking buddy Al Giordino goes on the adventure of a lifetime of seeking out a lost Civil War ironclad battleship known as the "Ship of Death" that protects a secret cargo is lost somewhere in the deserts of West Africa. But while the two cross paths with a beautiful and brilliant U.N. scientist Dr. Eva Rojas who is being hounded by a ruthless dictator. She believes that the hidden treasure may be connected to a larger problem that threatens the world around them. Hunting for a ship that no one else thinks exists, Dirk, Al, and Eva must rely on their wits and their daring heroics to outsmart dangerous warlords, survive the threatening terrain, and get to the bottom of both mysteries. Written by Anthony Pereyra {hypersonic91@yahoo.com} Master explorer Dirk Pitt goes on the adventure of a lifetime of seeking out a lost Civil War battleship known as the "Ship of Death" in the deserts of West Africa while helping a WHO doctor...

In 1923, legendary film Director Cecil B. DeMille finished the epic film, The Ten Commandments (1923). After filming was completed, he bulldozed the sets into the Guadalupe Sand Dunes of the central California coast. His reasons for doing so were very mysterious. This story gives a fictional explanation as to why he did it. There was a legitimate Egyptian artifact amongst the props, but they didn't know which one was trapping the spirit of an Egyptian avenging god. Mysterious murders and accidents while making the film brings things back to the surface today, and it starts all over again. Written by anonymous In 1923, legendary film Director Cecil B. DeMille finished the epic film, The Ten Commandments (1923). After filming was completed, he bulldozed the sets into the Guadalupe Sand Dunes of the...