Myth and Mythologies. Myths can be classified as origin myths, cultural myths and political myths and mythology is a collection of myths belong to a time period, region or religion

A flood myth also known as deluge myth is a narrative in which great flood, usually sent by a deity or deities to destroy civilizations as an act of divine retribution. Flood myths are common across a wide range of cultures, extending back to Bronze Age and Neolithic prehistory.

Every mythology has its own version of creation myths, or other wise commonly known as how the world came in to existence. In Egyptian Mythology, the creation myth starts with an egg in the ocean. There was a single egg floating in the ocean and the egg hatched and the son of Ra was born. According to the Indian Mythology, the universe was created by Lord Brahma out of himself.

The idea of an unimaginable war that threatens to tear apart the cosmos connects with us so deeply that it still powers our epic stories. The Lord of the Rings, Avengers, Hobbits, and countless others all feature this age-old trope. It can be found in the legends of almost every ancient culture.

We all know the myth of Atlantis: a utopian city wiped out in a single night thanks to an unearthly cataclysm. But Atlantis is only the most famous of mythical lost cities. Near-identical stories crop up with such regularity that it’s tempting to think they must be somehow related.Take Iram (also known as Ubar). A fabled city in the deserts of modern Saudi Arabia, Iram is said to have been wiped out in a single night when Allah buried it under a flood of sand. In other words, it’s the Atlantis myth translated to a world without water. Then you have Ys off the coast of France, which was supposedly flooded around the 5th century by a mythical warrior king. And that’s before we get onto the story of Sodom and Gomorrah and the Hindu myth of Tripura, which both involve gods wiping out immoral cities in a rain of fire.In short, the idea of a city obliterated overnight is so powerful it seems to show up everywhere. Are these half-remembered tragedies with some basis in fact (like Pompeii) or just stories that play to the apocalyptic fantasist in all of us? We’ll leave it to you to decide.

Jesus’s resurrection is the big selling point of Christianity, a unique moment that established Christ as the one true savior. At least that’s the idea. In reality, the idea of a dying deity or important human who is later resurrected has been around for millennia.Most famously, this includes the story of Osiris, the ancient Egyptian god whose birth was heralded by a star, who was betrayed by a friend, was murdered, and was later resurrected. But there are less explicit versions too. The Greek cult of Dionysus had their figurehead killed off every two years, only to rise again at a later date. Persephone also died regularly, and many pagan traditions from Scandinavia to Central America involved gods dying and returning to life or men dying and coming back as deities.Perhaps most interestingly of all, a historical tablet known as “Gabriel’s Revelation” allegedly tells the story of a Jewish rebel known as Simon who was killed by the Romans, only to be resurrected three days later. The catch? It was written in 4 BC, over 30 years before Jesus allegedly pulled off the same trick. Either it’s a mistranslation, or the Son of God was building on centuries of groundwork by other deities.

Dragons are likely the most traveled creature in all of mythology. Even more than vampires, they have a habit of turning up in societies and cultures so far apart in time and space you’d think it was impossible. There are ancient Sumerian tablets that record the act of dragon-slaying, Greek tales of dragons cavorting with other monsters, and an entire science built around the uses of their bones in China. In Central America, the Mayans worshipped the feathered snake Quetzalcóatl, while both Norse and Christian mythologies specifically mention dragons.As late as 1886, Victorian scientists still held that dragons had once existed but had gone extinct. Not until dinosaurs became firmly established in the public mind did people see the probable link between ancient fossils and dragon myths. Currently, our best guess is that various cultures all stumbled over dino bones at some point and translated them into gigantic mythological beasts.

Thanks to the occasional self-indulgent movie adaptation, most of us probably have a vague knowledge of the poems of Homer. Considered the earliest examples of Western literature, his Iliad and Odyssey are epic myths of tortured heroes fighting their way across oceans and continents in search of metaphorical salvation—and they appear in near-identical form in almost every culture.It’s called the “hero’s journey,” and just about all epic stories throughout history have followed the specific model. Famously, George Lucas deliberately based the first Star Wars on it, and you can find its influence in The Lord of the Rings, the Oz books, and even Harry Potter. But this archetypal myth was around even before fancy-pants anthropologists handed it over to lazy scriptwriters.The Sumerian Epic of Gilgamesh, the story of Sinbad the Sailor in the 1,001 Nights, the legend of King Arthur, the tale of the Argonauts . . . all of these and plenty more fit the structure of the hero’s journey just like Homer’s awesome poems above. In fact, nearly every single culture in recorded history has myths that fall into this category. Even Moses’s epic wanderings in the Bible fit this model. We as a species truly are lazy storytellers.

Cultural myths don’t just entertain us and record historical events. They also serve to explain why the world is the way it is. Hence the prevalence of stories designed to give a reason for some mystery of existence.In the Bible, we have the Tower of Babel, which explains why we have different languages. God’s speech prior to expelling Adam and Eve from Eden is another example, giving a reason for both the agony of childbirth and why ancient man had to toil all day in the fields. Wander across traditions into the stories of the Ancient Greeks and the legend of Prometheus demonstrates why fire is so valuable, while the story of Pandora gives a reason for the existence of disease and suffering.Start looking for them and you’ll find these explanatory myths scattered across every culture in history. There are myths that explain why rhinoceroses have no hairs, why incest is forbidden, and how medicine came into existence. Anything you can think of has some poetic explanation somewhere. In an unscientific age, poetry was often all we had.

Everything that begins has an end, and our ancient ancestors knew that as simply as we do. No surprise then that most cultures carry an End of Times myth to counter their creation story—a sort of consolation prize for those who won’t live to see the actual end (i.e. everyone).For Christians, this apocalypse is a gigantic epic that plays out over many, many years and involves so many disasters, wars, and calamities that it’s hard to keep track. Same with the Norse Ragnarok, which is a collection of disasters and battles that results in the Earth being drowned and recreated afresh. In Hinduism, it’s another epic battle followed by a rebooted universe, while Buddhism annihilates the world in a pyrotechnic fireworks display so amazing it deserves its own Michael Bay film.In other words, most humans throughout history have lived with their own personal vision of the end of everything, one that makes sense in the context of their lives and cultures. And that’s all these myths really are: ways for us humans to make sense of the world we live in, no matter when or where we are. It’s just an added bonus that some of them make absolutely awesome stories, too.

Mythology facts.

The red clothes worn by Hindu brides are associated with "scarlet women" in Christianity

The white clothes that represent virginity and purity in the Christian mythosphere are associated with spirituality and otherworldliness in the Hindu mythosphere; are restricted to monks, priests, and widows; and do not form part of household rituals.

The goat, the symbol of virility that is sacrificed to the Hindu Goddess, is the symbol of the devil in the biblical worldview.

The yoginis of Hinduism, who are handmaidens of the Goddess and are wild erotic creatures, recall the witches coven of the Christian mythosphere.

The pentagram is the symbol of Lakshmi, Hindu goddess of wealth, and Shukra, guru of demons, and is associated with Venus, wealth, fertility, creativity, and erotic power in Hindu astrology, but is considered the mark of the devil in Christianity.

'described in Western literature as the "dark drinker of blood" and is associated with witchcraft.

The serpent, which is associated with earth's fertility and occult wisdom in Hinduism, is considered a manifestation of the devil in biblical traditions.

To the Western eye the swastika is the symbol of Hitler and the Holocaust. To Hindus it is associated with auspiciousness and fertility.

Demon in Judeo-Christian-Islamic Paradigm is Evil being who opposes God but in Hindu Paradigm Demon is a Being who lives under-ground in bejeweled cities, fights gods, and possess the secret of rejuvenation

Gods in Judeo-Christian-Islamic Paradigm False deities worshipped by nonbelievers and pagans whereas in Hindu Paradigm Celestial beings who live above ground or in the skies, fight demons, and have consumed the elixir of immortality

The Bantu Mythology

The Bantu mythology is the system of myths and legends of the Bantu peoples of Africa. Although Bantu peoples account for several hundred different ethnic groups, there is a high degree of homogeneity in Bantu cultures and mythologies, just as in Bantu languages.

The Bantu people, who live in many parts of Africa, have a rich and diverse mythology that includes many different stories and legends. Here are a few examples of famous myths from Bantu mythology: The Creation Myth

The Bantu believe that the world was created by a god or gods, who formed the earth, sky, and all living things. Different Bantu groups have different creation stories, but they often involve the god or gods creating the world out of chaos or darkness.

The Myth of the First Human

According to Bantu legend, the first human, named Likumbi, was created by the god or gods. Different Bantu groups have different stories about how the first human was created, but they often involve the god or gods fashioning the first human out of clay or dust.

The Myth of the First Fire

The Bantu believe that fire was brought to earth by a god or goddess, who gave it to humans as a gift. Different Bantu groups have different stories about how fire was brought to earth, but they often involve a trickster figure stealing fire from the gods or a god or goddess giving fire to humans as a reward for good behavior.

The Myth of the First Rain

The Bantu believe that the first rain was brought to the world by a god or goddess, who sent it to earth as a gift. Different Bantu groups have different stories about how rain was brought to earth, but they often involve a god or goddess opening up the sky to let the rain fall or sending a messenger to earth to bring the rain.

The Myth of the Afterlife

The Bantu people have different beliefs about the afterlife, but some of the most common are a belief in a heaven and hell, a belief that the dead go to the land of the ancestors or a belief that the soul is reincarnated.

Inuit Mythology

Inuit mythology is the traditional belief system of the Inuit people, who live in the Arctic regions of Alaska, Canada, and Greenland. Here are a few examples of famous myths from Inuit mythology:

The story of Sedna

Sedna is the goddess of the sea and marine animals in Inuit mythology. She is known for her role as the provider of food and is often invoked to ensure a good hunt.

The story of the Raven

The Raven is a powerful trickster figure in Inuit mythology and is known for his intelligence and cunning. He is often depicted as the creator of the world and is considered a bringer of culture and wisdom to the Inuit people.

The story of the Inuit ancestor

The Inuit ancestor is the first human being created by the god, Raven. This figure is considered as the first ancestor of the Inuit people, and his children are considered as the founders of different Inuit tribes and clans.

The story of the spirits

Inuit mythology is rich with different kind of spirits, such as animal spirits, ancestor spirits, and nature spirits, who are believed to have great power and influence over the natural world.

The story of the shamans

In Inuit mythology, shamans are considered as powerful intermediaries between the human and the spiritual world. They are known for their ability to communicate with spirits and to heal the sick through their spiritual powers.

These myths, along with others, are used by the Inuit people to explain the origins of their people and their customs, and to reinforce their traditional beliefs and values. The Inuit traditional religion was based on animism, ancestor worship, and shamanism.

Mesopotamian Religion

Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 3500 BC and 400 AD, after which they largely gave way to Syriac Christianity.

Some of the most famous myths of Mesopotamian mythology include the creation myth Enuma Elish, the epic of Gilgamesh, and the story of Inanna's descent to the underworld. Enuma Elish describes the creation of the world and the gods by the god Marduk, while the epic of Gilgamesh tells the story of a king's quest for immortality. The story of Inanna's descent to the underworld tells of the goddess's journey to the land of the dead and her eventual return to the world of the living. Other notable myths include the story of the god Enki and the goddess Ninhursag, the myth of Ishtar's descent to the underworld, and the story of the god Dumuzid and his sister Geshtinanna.

The Epic of Gilgamesh

The Epic of Gilgamesh is one of the most famous and important works of ancient Mesopotamian literature. It is an epic poem that tells the story of Gilgamesh, the king of Uruk, and his quest for immortality. The poem is thought to have been written around 2100 BCE, in the Sumerian language, but it was later translated into Akkadian.

The epic tells the story of Gilgamesh's adventures, including his friendship with the wild man Enkidu and their journey to the Cedar Forest to fight the monster Humbaba. After Enkidu's death, Gilgamesh becomes obsessed with the fear of his own mortality and sets out on a journey to find the secret of immortality. He eventually meets Utnapishtim, the only human who has been granted immortality by the gods, and learns the secret of eternal life but fails to achieve it.

The epic also explores themes of friendship, loss, and the human condition, and it is considered one of the earliest known works of literature in world history. The poem was widely read in ancient Mesopotamia and had a significant influence on later literature in the region. The epic of Gilgamesh is still widely read and studied today, both for its historical and literary significance.

Lozi mythology gives legitimacy to the Lozi kingdom's foundations, by linking the monarchy and the people to a creator god, whom the Lozi call Nyambe.

The Lozi people, who live in what is now Zambia, have a rich and diverse mythology that reflects their culture and beliefs. Here are a few examples of famous myths from Lozi mythology:

The creation myth

The Lozi believe that the world was created by a god named Nyambe, who formed the earth, sky, and all living things. They also believe that Nyambe created the first man and woman, and gave them the task of populating the world.

The myth of the first fire

The Lozi believe that fire was brought to earth by a god named Mwali, who gave it to humans as a gift.

The myth of the first death

The Lozi believe that death was brought to the world by a god named Mwali, who punished humans for their disobedience.

The myth of the first rain

The Lozi believe that the first rain was brought to the world by a god named Mwali, who punished humans for their disobedience.

The myth of the afterlife

The Lozi believe that the souls of the dead go to the land of the ancestors, which is a place similar to the earth but more beautiful and peaceful. They also believe that the souls of the wicked go to a place of punishment.

The myth of the floods

The Lozi believe that the floods in the Barotse floodplain, where they live, are caused by the god Mwali's tears, which he shed when he was angry with people for their misdeeds.

Please note that this is just a small sample of the Lozi mythology stories, and there are many more myths and legends that are important to the Lozi people.

A goddess of the underworld, associated with death and the afterlife in Etruscan mythology.

Halga, Helgi, Helghe or Helgo was a legendary Danish king living in the early 6th century.[1] His name would in his own language (Proto-Norse) have been *Hailaga[2] (dedicated to the gods). Scholars generally agree that he appears in both Anglo-Saxon (Beowulf) and Scandinavian tradition (Norse sagas and Danish chronicles).[3] In both traditions, he was a Scylding, the son of Healfdene and the brother of Hroðgar. In Beowulf, his relationship to Hroðulf is not explained, but if he was not his father, as in the Scandinavian tradition, he was at least his uncle. Both traditions also mention his family's feud with Froda and Ingeld. Whereas, not much is said about Halga in Anglo-Saxon sources, much more is said in Scandinavian ones, all of them containing a version of the story of his incestuous relationship with his own daughter Yrsa. This liaison resulted in Halga's son Hroðulf.

Goddess of flood control and rivers, also associated with the sun

Heroic king of Uruk, renowned for his adventures and quest for immortality. Central figure in the Epic of Gilgamesh, one of the earliest surviving works of literature.

In Norse mythology, the einherjar (Old Norse literally "army of one", "those who fight alone"[1][2]) are those who have died in battle and are brought to Valhalla by valkyries. In Valhalla, the einherjar eat their fill of the nightly-resurrecting beast Sæhrímnir, and valkyries bring them mead (which comes from the udder of the goat Heiðrún). The einherjar prepare daily for the events of Ragnarök, when they will advance for an immense battle at the field of Vígríðr. The einherjar are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, the poem Hákonarmál (by the 10th century skald Eyvindr skáldaspillir) as collected in Heimskringla, and a stanza of an anonymous 10th century poem commemorating the death of Eric Bloodaxe known as Eiríksmál as compiled in Fagrskinna. An etymological connection exists between the einherjar and the Harii (a Germanic people or figures form early Germanic folklore attested in the 1st century AD), and scholars have connected the einherjar to the eternal battle of Hjaðningavíg and the Wild Hunt. The einherjar have been the subject of works of art and poetry.

Beowulf is actually not part of Norse mythology but rather an epic poem from Anglo-Saxon (Old English) literature. While it is true that the poem features themes, characters, and settings that are reminiscent of Norse and Germanic folklore, it is distinct from the mythological traditions of the Norse, such as those found in the Eddas or sagas. "Beowulf" is considered one of the most important works of Old English literature. It's an epic narrative poem composed by an unknown author, estimated to have been written between the 8th and early 11th centuries. The poem consists of 3,182 alliterative lines, and it is set in Scandinavia. The story revolves around the eponymous hero, Beowulf, a warrior of the Geats (a North Germanic tribe inhabiting what is now Sweden). The poem is divided into three parts: Beowulf's Battle with Grendel: Beowulf comes to the aid of Hrothgar, the king of the Danes, whose mead hall has been under attack by a monster known as Grendel. Beowulf slays Grendel barehanded, thereby saving Hrothgar's kingdom. Beowulf's Battle with Grendel's Mother: Grendel's mother seeks revenge for her son's death, and Beowulf ventures into her underwater lair to confront her. He defeats her with the aid of a magical sword found in her hoard. Beowulf's Final Battle and Death: The last part of the poem jumps forward many years, showing Beowulf as a wise and aged king of the Geats. He faces his final challenge in the form of a dragon guarding a treasure hoard. Beowulf slays the dragon but is mortally wounded in the battle. The poem concludes with his funeral rites and a lament for the fallen hero. While "Beowulf" shares some thematic elements with Norse mythology — such as the focus on heroism, the supernatural, and the notion of fate — it remains a distinct and separate work, deeply rooted in the Anglo-Saxon culture and its literary tradition. The poem is valuable not only for its literary merits but also for its insights into the social and cultural aspects of the Anglo-Saxon world.

Heimdal is another of the chief gods; according to report he was considered great and holy, and bore the appellation of the White God. He was born in a miraculous manner of nine Giant maidens, on the confines of the earth, in the morning of time; and he drew his sustenance from the earth. By some he was called Odin’s son. His teeth are of gold; by night or day his vision spans a hundred miles of space; he is able to hear the growing of grass upon the ground and of wool on the backs of sheep; therefore he is a fit watchman for the gods. He dwells near Bifrost, which he guards against the Giants. He has an immense horn, the Gjallar-Horn; when he blows it, the sound is heard in all the worlds. His dwelling at the brink of heaven is known as the Mount of Heaven (Himinbjorg). For the rest, report has little to say of Heimdal. He is also called Gullintanni, by reason of his golden teeth; another of his names is Hallinskidi.

Erechtheus was a king of Athens in Greek mythology. He was one of the first kings of the city, and from his name derived the word Erechtheidae, meaning the sons of Erechtheus, which was used to denote an Athenian. His name was also used as an epithet for the god Poseidon, as "Poseidon Erechtheus".

In Greek mythology, Hyacinth was a very beautiful Spartan prince and lover of the god Apollo. Hyacinth was also admired by the West wind Zephyrus, the North wind Boreas and also by a mortal man named Thamyris. ... The couple indulged themselves in hunting and climbing steep, rough mountains around Sparta.

Evander, in Classical mythology, a migrant from Pallantium in Arcadia (central part of the Peloponnesus) who settled in Italy and founded a town named Pallantion, after his native place. The site of the town, at Rome, became known as the Palatine Hill, for his son Pallas and daughter Pallantia. Evander was the son of the goddess Carmentis (or Carmenta) and the god Hermes. Traditionally he instituted the Lupercalia (q.v.) and introduced some of the blessings of civilization, including writing. He hospitably received the heroes Hercules and Aeneas.

The son of Pandrosos and Hermes, and the ancestor of the Keryces of Eleusis (see CERYX, 2). Herse (or Erse) was mother, by Hermes, of the beautiful Cephalus (See CEPHALUS). She had a special festival in her honour, the Arrhephoria (see ARREPHORIA). Agraulos, mother of Alcippe, by Ares, was said in one story to have thrown herself down from the citadel during a war to save her country. It was, accordingly, in her precincts on the Acropolis that the young men of Athens, when they received their spears and shields, took their oath to defend their country to the death, invoking her name with those of the Charities Auxo and Hegemone. According to another story, Athene entrusted Erichthonius to the keeping of the three sisters in a closed chest, with the command that they were not to open it. Agraulos and Herse disobeyed, went mad, and threw themselves down from the rocks of the citadel.

Trophonius was a figure in Greek mythology associated with the Oracle of Delphi. He was the son of the god Apollo and a mortal woman, and was believed to have been the founder of two shrines at the site of Delphi. Legend states that Trophonius was a skilled architect, and he was responsible for the construction of a temple to Apollo at Delphi. He was also said to have built a temple to the goddess Demeter at Lebadea. It was believed that Trophonius could foretell the future and provide advice to those seeking it from the Oracle of Delphi. He was also said to have been a great healer and an advisor to kings.

Off the coast of the volcanic island of Santorini, the intrepid archaeologist, Lara Croft, makes the unexpected discovery of a throbbing golden orb able to guide its holder to the mythical Pandora's Box. As the legendary artefact contains ancient mysteries of unfathomable power, Lara needs to make sure it doesn't fall into the wrong hands, especially the unscrupulous former Nobel Prize winner and now a bio-weapons dealer, Jonathan Reiss. With the aid of the former agent, Terry Sheridan, the fearless adventurer travels the world in pursuit of the precious item; however, can she retrieve it in time to save the day? Written by Nick Riganas Adventurer Lara Croft goes on a quest to save the mythical Pandora's Box, before an evil scientist finds it, and recruits a former Marine turned mercenary to assist her.

Thousands of years ago, the great Child King Tutankhamen ruled. Few know the details of his life no one knows the secrets of his death. But all is about to change. In 1922 Cairo, free-spirited archaeologist Danny Fremont is certain that if found, King Tut's Emerald Tablet would hold the ultimate power to control the world. But unfortunately, the only person who believes Fremont is his ruthless archaeologist nemesis Morgan Sinclair, a member of a secret society who wants the tablet to harness unspeakable evil on the world and will stop at nothing to get it and then extend their world domination. But with the help of a crackerjack team adventurers that includes the doubting egyptologist Dr. Azelia Barakat, Fremont ventures through the Valley of the Kings, toward Tut's tomb, near the portal to the underworld, and getting closer to the truth behind a mystery that will change the world forever or end it. Written by Anthony Pereyra {hypersonic91@yahoo.com} Thousands of years ago, the great Child King Tutankhamen ruled. Few know the details of his life no one knows the secrets of his death. But all is about to change. In 1922 Cairo,...

Timeline is based on Medieval mythology. The film follows a group of scientists as they travel back in time to 14th century France in order to save a friend. Along the way they face danger and discover the power of faith. A group of archaeologists and combat experts led by Paul Walker and Frances O'Connor use a "3-D fax machine" (so much for technobabble!) to time-travel back to France in 1357, in hopes of retrieving Walker's father and returning safely to the present. No such luck. Fending for themselves against marauding hordes of medieval French warriors at war with the invading British, these semi-intrepid travelers find their body count rising, and the deadline for their return home is rapidly approaching. Written by Anthony Pereyra {hypersonic91@yahoo.com} A group of archaeologists become trapped in the past when they go there to retrieve a friend. The group must survive in 14th century France before they can escape back to the 21st Century.

A Persian sailor named Sinbad is on a quest to find the magical legendary Book of Peace, a mysterious artifact that Eris, the Greek wicked goddess of chaos, has ultimately framed him for stealing! If he fails on this quest, his childhood friend Prince Proteus of Syracuse will take Sindbad's death penalty, while Eris gains a desired foothold of power in the world of mortals. Written by Anthony Pereyra (hypersonic91yahoo.com) The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood...

During the Cold War, Soviet Agents watch Professor Henry "Indiana" Jones, Jr. (Harrison Ford), when a young man brings him a coded message from an aged, demented colleague, Professor Harold Oxley (Sir John Hurt). Led by the brilliant Irina Spalko (Cate Blanchett), the Soviets tail Jones and the young man, Mutt Williams (Shia LeBeouf), to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well. But if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones' past, Marion Ravenwood (Karen Allen), to face the dangers of the jungle, Russia, and the supernatural. Written by In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known...